The Beginnings of Tavistock Books

For those of you who don’t know, we deal in many genres of antiquarian materials. However, one of our specialities – and even our shop’s name – come from a wildly famous author who we happen to adore… Mr. Charles Dickens. As the author is very often associated with the holiday season, we thought now might be a good time for a little Q&A with our President, Vic Zoschak Jr., on his love of Dickens and the beginnings of Tavistock Books. Enjoy!

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Tavistock House, London.

Q: Vic, could you take our recent followers on a mini journey as to our shop name? I remember getting the question of whether or not your last name was Tavistock!

tavistock2Yes, over the years, I’ve often been referred to as “Mr Tavistock”, but the name actually, rather than being my surname, has a [small] Dickens connection…  back in the late 80s, as I contemplated opening my own business, I cast about for a name that would reflect my firm’s interest in Dickens, but didn’t want to be too overt in that regard..  you know, nothing like “The Old Curiosity Book Shop”, or anything like that.  So, long story short, I settled on Tavistock, the name of Dickens house in the 1850s, which was situated on Tavistock Square.  

Q: So why Dickens? He is obviously a world-famous writer of course, but what about his writing spoke to you, and what made you want to name your store after his house?

Well, back in the mid-to-late 80s, while living in Sacramento, I was in a reading group that read, as one of our books, Dickens’ Pickwick Papers.  While I personally don’t consider that his best novel, what that reading did do was spark an interest in the author himself.  And in pursuit of knowing more about the man, I [luckily] happened across what I consider to be the best biography of Dickens, Edgar Johnson’s Tragedy And Triumph.  On reading that biography, I found Dickens to be a fascinating individual, a genius, which precipitated my dive into that gentle madness known as book collecting.  I collected Dickens from the mid-80s until I opened my shop in July 1997, at which point I used my personal collection to stock the Dickens’ Corner here at 1503 Webster Street.

Q: What is your favorite of the Dickens novels and why? Favorite character in any of them?

Favorite novel is Hard Times.  Many of Dickens’ novels required “32 pages of letterpress” every month, and so often, like in Pickwick Papers, there are literary diversions therein to fill up space….  I don’t see that in Hard Times.  It’s spare, it’s lean, it’s all about the facts.

As to characters, like many, I’m partial to Mr. Micawber, the lovable impecunious fellow from David Copperfield.

Q: Is it true that you refuse to watch Dickens-related cinema? Interesting choice! What are your thoughts behind that decision?

True.  Dickens’ words call up a mental image of each & every character he’s created.  I found that when I watched a film interpretation, my mental image of a given character, e.g., Nicholas Nickleby, engendered by Dickens’ prose was replaced by the individual cast by whatever director was filming whatever version of Dickens’ works.  In comparison, I found I preferred Dickens’ version.  FWIW, he would only allow images approved by him, and as such, they are truly Dickensian.  

Q: And last but not least… who was your favorite ghost in A Christmas Carol and why?

Ah, tough question Ms P!!  I think I’ll go with the “Ghost of Christmas Yet to Come”.   With these visions, Scrooge realizes his future can change.  That’s powerful stuff, knowing one can change one’s future.

And you know what, Ms P – it’s been a few years since I’ve read this popular novella. I think I’ll revisit it this season… it’s time.  

~ Happy Holidays ~

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Today we are Thankful for… William Blake!

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Copyright Learnodo-Newtonic!

Happy Thanksgiving to our fellow bibliophiles! We thought we’d start off this day of giving thanks for a world-famous English poet, artist and printmaker with a brief history of his early life. Despite the fact that this renaissance man was largely unrecognized for his talents in his time, today he is considered one of the foremost artisans of the Romantic Period. William Blake’s prophetic art and poetry are both moving and inspiring – and for that we honor him this Thanksgiving – which also happens to be his birthday!

NPG 212; William Blake by Thomas PhillipsWilliam Blake was born on November 28th, 1757 in Soho, London. He was the third of seven children (though two of his siblings died in infancy). Though his family were English dissenters, it did not stop Blake from being baptized and having a thorough biblical education – knowledge which would prove to be quite inspirational in his work later in life. Blake’s artistic side surfaced when he began copying drawings of Greek antiquities given to him by his father. It was through these copies that Blake was first introduced to works by Michelangelo, Durer and Raphael. By the time Blake was ten he had completed his formal education and was able to be sent to a drawing school in The Strand – where he not only read and avidly studied the arts but also made his first foray into poetry.

blake6At the age of fifteen, Blake was apprenticed to an engraver in London and upon his completion of his apprenticeship became a professional engraver at twenty-one. The following year, Blake became a student at the Royal Academy where he studied over the years and submitted works for exhibition. Though he disagreed with the views held by the headmaster of the time and favored more classical art rather than the popular oil paintings of the age, Blake used the years to make friends in the art world and perfect his own skills. He printed and published his first collection of poems, Poetical Sketches, around 1783, and opened up his print shop with fellow apprentice James Parker in 1784. Blake began to associate with radical thinkers of the time – scientists, philosophers and early feminist icons like Joseph Priestly and Mary Wollstonecraft. Blake spent the 80s experimenting with different kinds of printing, finally moving onto relief etching in 1788. Relief etching (also called illuminated printing) would be a medium Blake would continue to use in printing his works throughout his life. In this medium, color illustrations were able to be printed alongside text. Blake has become well-known for his illuminated printing, but throughout his life he was also known for his intaglio engraving – a more standard process of engraving at the time.

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All of these processes are wildly interesting, of course – but perhaps better explained by simply showing some of the most famous of Blake’s sketches and illustrations. His poetry and text almost always contain spectacular imagery and mythological symbolism, which were even further highlighted by his beautiful images. He was an artist, a free thinker, a poet, a radical, a spiritual man, and a devoted husband – among many other things! On this Thanksgiving, we’d like to bring recognition to him and wish him a happy birthday.

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From our 1922 holding of The Drawings and Engravings of William Blake, edited by Laurence Binyon and Geoffrey Holme. See it here!

From our 1922 holding of The Drawings and Engravings of William Blake, edited by Laurence Binyon and Geoffrey Holme. See it here!

For more information on William Blake, we recommend visiting our colleague John Windle’s William Blake Gallery where you can find blogs related to the author and various prints and books for sale both online and in person in San Francisco. We highly recommend a visit!

Happy Thanksgiving, bibliophiles!

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The Future of Antiquarian Book Fairs

As Antiquarian Booksellers, we are intimately familiar with book fairs. For those of you who have never attended such a fair before, we highly recommend it. For collectors and bibliophiles, scholars and tradesmen alike – book fairs are a wonderful place to get a feel for our world. All sellers bring a variety of items, and you can make note of who has items of interest to you and research them further. It is a wonderful place to make contacts with like-minded souls and spend time talking books. Tavistock Books has now been in business for decades, and we like to think that our fearless leader, Vic Zoschak (who also happens to be the current President of the Antiquarian Booksellers Association of America – the ABAA) has a fair amount of experience in this field. We share with you a mini Q&A with him and his thoughts on the past and the future of the antiquarian book fair.

Photo courtesy of Fine Books and Collections magazine.

Photo courtesy of Fine Books and Collections magazine.

Vic, Thanks for answering our questions. We’ll get right to it – what changes have you witnessed in antiquarian book fairs over your many years in the trade?

Vic Sac IOBAWhen I started doing fairs back in the early 90s, book fairs were an opportunity for collectors to see a bunch of material they may not otherwise have access to.  There used to be lines around the block awaiting entry to the fair.  No more.  Remember, then, there was not widespread internet access… so no searching 20,000 bookstore inventories with a click of the mouse.  Today, a collector, or just an individual searching for a given book, need not attend a fair to look for material.  Today, when buyers search for their title on vialibri.net, they search the inventory of 20,000 booksellers.  That’s an unprecedented access to inventory that has not been possible at any other time in bookseller/book buyer history.  What that means for fairs is that most regional fairs have gone by the wayside…. in those early 90s, on the West Coast, I did 20+ book fairs a year.  Now, 3.  The local/regional fairs just don’t bring in the number of buyers that they used to.  And if exhibitors don’t sell books at the fair, they won’t come back.  Today, it’s my opinion, that a book fair needs to be an *event*, perhaps coupled with other *events* that same week.  The ABAA book fairs are trending in this direction…  not only will a potential attendee have the book fair to attend, but also events offered by sister organizations, like the Grolier Club, or the Book Club of California, or the Ticknor Society.   As I think about them now, in response to your query, I think fairs are a somewhat endangered species…. continuing to exist, but in a fragile state and in need of attention.

How are the fairs different for you now as President of the ABAA?

Well, here there is, in fact, a challenge that faces the ABAA…  our New York Fair, and our California fair, are too close together on the calendar.  There’s a long back story there that brought this to pass, much too long to recount here, but suffice it to say, there’s no easy solution.  I only wish, as President, I had a magic wand to fix it.  But I don’t, so it’ll be a significant issue that my successor will, hopefully, be able to resolve.

Vic at a recent Seattle Antiquarian Book Fair.

Vic at a recent Seattle Antiquarian Book Fair.

What fairs that you attend (New York, LA/San Fran, Boston, Seattle, Sacramento) have stayed the same throughout the years and which have changed? Have they changed for the better?

I now only exhibit at 3 a year: Sacramento [local, one day, and easy to do], as well as the ABAA CA fair [this coming year in Socal, Pasadena].  But I do attend, as a visitor, all ABAA fairs, which means I’ll be heading to Boston in a week.  This year, I also exhibited in Seattle, which was fun, but not particularly remunerative, so it’s a question mark for 2020. 

Re: change?  Here I have to give a shout-out to Jim Kay, the Sacramento promoter.  He’s kept that local fair alive and vibrant.  And I also want to give a shout out to the local ABAA book fair committees – Boston, NY & California – who have the task of keeping our ABAA fairs alive & well.  In this challenging economic environment, they are doing a bang-up job in my opinion.  They have evolved to meet the needs of the current book collecting milieu.

A shot from the New York ABAA fair, photo courtesy of LitHub.

A shot from the New York ABAA fair, photo courtesy of LitHub.

How do you see antiquarian book fairs faring (pun intended) in the future?

I think we’ll be fine, especially if we continue to market our fairs as ‘events’.  Give people more than one reason to attend.  There’s a lot of competition for an attendee’s time & money; let’s make our pitch for our fairs be one that compels.

Amen to that! Keep the book fairs coming, people. 

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A Happy Halloween with Hill House

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As Halloween rapidly approaches, we thought – in honor of this holiday season – it might finally be the moment for a short blog dedicated to a favorite type of literary genre throughout this season – horror stories.   

Upon the recommendation of a friend, I recently finished The Haunting of Hill House, by Mrs. Shirley Jackson. This book, much dramatized in movies and tv and spoken about in literary ‘thriller’ circles (yes, they exist), is one of the most famous of Jackson’s works – one that has you in goosebumps from start to finish. And what, we asked ourselves, is so scary about it? (Warning: spoiler alerts below.)

Realism. Nowadays, it is easy to go to the movies and see a thriller with a screeching soundtrack and people that pop up in mirrors as you wash your face in the evening (my worst fear)… you know the drill. Even the exceedingly gore-filled SAW movies have a following. So what makes classic horror stories so frightening, even in a modern world where we are used to an unimaginable level of psycho made with special effects and computer geniuses?

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This 1st edition of Haunting of Hill House is offered by Peter Harrington here!

We might argue that it is a lack of such “effects” that sets these stories apart. While in high school, my best friend went to see a movie that came out called “The Strangers” (I have a point to this, I promise). This horror flick focused on a romantic couple who come to stay in a woodland cabin for a night (unfortunately directly after a refused marriage proposal, but that’s neither here nor there), where a group of teenagers (spoiler alert!) terrorize them throughout the night. In the morning (I DID say spoiler alert), the teenagers finally and gruesomely murder the couple in front of each other. Their reasoning to the couple? “Because you were home.” Now why did my close friend say it was the scariest movie she, as a horror film lover, had ever seen? Because there were no special effects. It was not that preposterous. It was simply people… terrorizing people. Personally, I would say The Haunting of Hill House has a similar vibe. It contains some ‘supernatural’ elements, absolutely. And perhaps it is the house terrorizing the characters. But at the same time, those elements could be being caused by the other characters – we aren’t ever truly sure. The story centers around four people arriving at a reportedly haunted house – with possibly the best description of a house I have ever read – to see what happens. (This still happens today… only we have tv crews that follow these nutters around while they scream in sinister night-vision.) As the foursome stay on in the Hill House, night after night more strange and creepy instances occur, with one character singled out pretty obviously. As it happens, this character is also quite clearly the most vulnerable and unstable of the group… not to mention the narrator. She gives the impression of being somewhat unreliable from the beginning, giving the audience very little understanding of what is truly going on, and of whether her discrepancies, misgivings and thoughts on the ‘hauntings’ are built up by her own abnormal nature.

Now, I don’t want to ruin the story for the rest of you. I just wanted to give you the slightest chill, given how close we are to (arguably) the best holiday in the entire world. Perhaps you will be inspired to read something spooky, something creepy. What would we recommend?

Well, you can’t go wrong with the classics. Shirley Jackson, Edgar Allen Poe, Agatha Christie, Mary Shelley, Bram Stoker, Stephen King… the possibilities are endless. Just don’t forget… the best horror stories are the ones that scare you – curl your toes – not from frightful voices and things that go bump in the night, but from a solid, well described tearing down of human nature.

Happy Halloween, bibliophiles!

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There and Back Again – The Seattle Antiquarian Book Fair Edition

This past weekend saw the Tavistock Team exhibiting for the first time in a couple years at the Seattle Antiquarian Book Fair. A great experience for them, resident factotum Samm Fricke to tell us all about it. We highly recommend this fair to any and all in the book trade – whether you are a bookseller, a collector, a librarian or a bibliophile! You won’t be disappointed. Have a look at her answers below!
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Q: How much experience do you both, Vic and Samm, have with the Seattle Book Fair? 

Samm: For me, the Seattle Antiquarian Book Fair was a whole new experience – I have never attended nor worked that fair ever before. Vic, however, has done it many times, despite the fact that Tavistock Books has not exhibited there for a couple years. We are glad to be back!

Booth mates! This year we shared our Seattle booth with Laurelle Swan, of Swan's Fine Books in Walnut Creek, CA.

Booth mates! This year we shared our Seattle booth with Laurelle Swan, of Swan’s Fine Books in Walnut Creek, CA.

Q: Because we must ask, as usual – how was load in, load out? Everything flow smoothly or were there some hiccups that needed to be addressed in either situation? 

Samm: Load in and out was GREAT! So easy. Brad Johnson (of Johnson Rare Books & Archives) drove a caravan from Los Angeles and gathers booksellers’ books as he travels up the west coast. In short… we did not have to lug anything! We were lucky – it was probably the easiest load in and load out we have ever had! Thank you, Brad!

 

 

 

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Q: We noticed that before you got to Seattle you sent out a list of the items you decided to bring. How was the feedback from that list? Does it generate interest in the items already listed or are collectors and sellers using the list to see a general overview of our stock and then requesting you bring other items?  

Samm: We did get some interest in the list before we left, and I do think it brought other booksellers over to our booth during set up to take a peek. However, the list was just text – no pictures – (unlike the bi-weekly short lists we send out!). In any case, I think people (booksellers and collectors) are always happy to have the first peek!

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Q: How were sales, down up or concurrent with previous years at the Seattle fair? 

Samm: As Vic likes to (politely) say, sales were “soft.”  But at fairs you usually do well at either buying or selling – not always both at the same time. Luckily, we were able to buy some really neat items, so keep an eye on our inventory in the near future!

Q: What were the best moments of the fair? Dinners, talks, social events… what was the salvation this time around?! Book fairs, while wonderful experiences for booksellers to hang out with like-minded souls, can be extremely draining. Being constantly on, constantly available, and not to mention working hard – what made it all worthwhile for you both this time around?

Samm: For me, it is always the dinners after the show. Getting to commiserate about the day, laugh about funny moments, eat great food (concession stands just don’t cut it, I’m sorry to say) and have a well-blended cocktail – a much needed boon after a long day of continuous meet and greets!  Seattle was no exception – we had some really great meals with some amazing people! We are looking forward to the next fairs where we can all meet again!

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Turning Weary Wednesdays into Wise Wednesdays

We know that Wednesday is not everyone’s favorite day of the week. It is neither the beginning of the week, nor the end, and somehow always seems so far from the weekend! We would like to change your opinion for a soft second, however, to respect a civil rights world leader, lawyer, ethicist and philosopher on this particular Wednesday – his birthday – Mahatma Gandhi. In his honor we’d like to share some of his most well-known, well-loved and cherished quotes that give us pause in troubling times.

Rare studio photograph of Mahatma Gandhi taken in London England UK at the request of Lord Irwin 1931

Happiness is when what you think, what you say, and what you do are in harmony.

A man is but a product of his thoughts. What he thinks he becomes.

Live as if you were to die tomorrow. Learn as if you were to live forever.

Freedom is not worth having if it does not include the freedom to make mistakes.

If I have the belief that I can do it, I shall surely acquire the capacity to do it even if I may not have it at the beginning.

An eye for an eye will make the whole world blind.

The future depends on what you do today.

Earth provides enough to satisfy every man’s needs, but not every man’s greed.

I object to violence because when it appears to do good, the good is only temporary; the evil it does is permanent.

You must not lose faith in humanity. Humanity is like an ocean; if a few drops of the ocean are dirty, the ocean does not become dirty.

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After being born in India, Gandhi spent much of his life in South Africa, practicing law and raising his family. Upon his return to India at the age of 45, Gandhi began immediately to “stir the pot”, as it were. The ethicist believed in non-violent revolt, was an anti-colonialist (India was then still under Britain’s rule), and a religious pluralist. At the age of 51 he was elected leader of the Indian National Congress, where he led nationwide campaigns to ease poverty, expand women’s rights, end India’s practice of “untouchability”, and praise self-rule (end colonialism). Starting at this time he began living life in extreme modesty – eating simple vegetarian meals, fasting for health, political and meditative purposes, and wearing a traditional Indian dhoti as a mark of respect to the lower classes. He spent his life helping others, helping himself, and helping his country. He was assassinated at the age of 78 for being “too accommodating” in his dealings with other nations (mainly Pakistan, at that time).

His birthday, October 2nd, is celebrated in India as a national holiday – the International Day of Nonviolence. Gandhi’s beliefs and opinions are ones that transcend time, if you’ll forgive our grand sentiments. Especially today, when violence sometimes seems to be one of our only constants, we could all take a page out of Gandhi’s book. Sleep, eat healthy, forgive, remain strong, listen, learn, and – most of all – love.

❤

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“Sometimes the Devil is a Gentleman” – The Life of Percy Shelley

“I curse thee! let a sufferer’s curse…

Clasp thee, his torturer, like remorse;’
Till thine Infinity shall be
A robe of envenomed agony;
And thine Omnipotence a crown of pain,
To cling like burning gold round thy dissolving brain.”
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Ahh, if only we all possessed the ability to curse our enemies in such a romantic tongue. Alas, we do not and we must leave that beautiful power to those who truly deserve it. On this day, we honor poet Percy Shelley – one of the most famed English Romantic poets and author of Prometheus Unbound - from which the above section was unabashedly taken.

Percy Shelley was born on the 4th of August, 1792 in a small village in West Sussex. He was the oldest of 7 children, and seemed to always run a bit wild! He left home to be educated formally at the age of 10, and at 12 enrolled in Eton. Unfortunately Shelley was heavily bullied at Eton College, and while such behavior is never requested it certainly seemed to help build Shelley’s inner imagination up and he began writing at a young age. At 18 he began his studies at University College, Oxford. Shelley excelled academically at the start, but after just a few months was expelled after writing a pamphlet promoting atheism with another student and refusing to confirm or deny his authorship in it (which in and of itself is kind of a confirmation, no?). Shelley’s life was nothing but static. He experienced bouts of grave financial difficulty (his parents being unamused, to say the least, of Shelley’s difficult nature), and had what were considered extremely radical notions for the times. He believed in free love and vegetarianism. For the turn of the 19th century those were novel ideas, to say the least!

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Shelley wrote to support himself after running away at 19 with a 16 year old girl that his parents had expressly forbidden him to see. The couple were happy for only a short period of time, however, as Shelley was quickly bored by Harriet and his conceptions of free love kept him from the marriage bed. Shelley was eventually able to boast a mentorship from one of his political and philosophical idols – William Godwin – where Shelley discovered both his own political radical ideology and Godwin’s daughter, Mary. Mary Godwin was the daughter of a powerful political and intellectual duo, being begot of Godwin and Mary Wollstonecraft. Mary turned Shelley’s world upside down and the two fell deeply in love, risking family disinheritance to be together. The two, along with Mary’s sister Jane, fled their homes and lived as vagabonds, traveling around England and Europe (often by foot) for over three years. By the time they returned, Shelley’s wife Harriet had had enough and had filed for divorce.

shelley4In the summer of 1816, Shelley befriended one of his first powerful and influential authors – Lord Byron. Percy and Mary spent a season with Byron in Switzerland – the summer ended up being one of the most important of Shelley’s life. Byron helped inspire the young radical, and Shelley wrote his romantic poem Hymn to Intellectual Beauty after an afternoon with Byron. It was during this summer, funnily enough, that Byron’s guests and friends were inspired to have a horror write-off. This writing competition of sorts was the inspiration behind Mary Shelley’s Frankenstein. Upon their return to England at the end of the year, it was discovered that Shelley’s wife, Harriet, had committed suicide. As unfortunate as the event was, it incited Shelley and Mary to finally marry. The two settled in a small hamlet in Buckinghamshire, where they befriended poets John Keats and Leigh Hunt – both of which would prove to be invaluable friends to Shelley in his last years. It was in these years that Shelley wrote and published a bulk of his most well-known works, including The Revolt of Islam and Prometheus Unbound, the latter of which is widely considered to be his most beloved epic work.

Sadly, Shelley would not live to see his work widely recognized, as he died when his boat capsized in a storm just shy of his 30th birthday. As was the custom, Shelley was buried in the sand on the beach where he washed up for one month before being dug up and burned on a funeral pyre. It is said that his heart refused to burn – and that his friend Leigh Hunt retrieved it from the ashes and gifted it to Mary Shelley – who kept it in a writing case wrapped in silk for the rest of her days. Oh, what a terrifying thought!

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Shelley’s young works showed all the aspects of the talented writer that he was, if only he had been able to live longer and reach his full potential. But as Shelley once said, we must “fear not for the future, weep not for the past.” Well said.

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