A phrase I have said for literal years of my life is this… “well, for the love of Thomas Hardy”. I used it in situations when another might say “Oh, for the love of god.” Now I was not equating Thomas Hardy with anyone’s god by any means, I just picked it up somewhere and used it fairly frequently. Assuming that this was a well-known idiom, I never stopped to question the quizzical looks from people on the receiving end of the strange turn of phrase.
Turns out that it is NOT a real expression. I looked it up online, expecting some awesome intellectual to have done the dirty work for me and found its origins. And nothing, nada… zilch. I felt vaguely certain that I had heard someone say it before, some classy lady, somewhere. It turns out I had! After extensive research, I found it was a phrase said by none other than Helen Mirren in the movie Inkheart, which came out in 2008, based on the book of the same name. So my embarrassing question is this… why are we not using this phrase more often? Try it out, if anything we can guarantee it’s good for a chuckle (on your end, of course… don’t forget the quizzical looks from the receiver).
Thomas Hardy was born on June 2nd, 1840, in a small hamlet east of Dorchester in Dorset, England. His family was of modest means, and though his father was a local builder, Hardy’s mother was well-read and literate and taught Thomas to read at an early age. He did well in school, but upon graduation at the age of 16 Hardy did not have the means to pursue a University education, and became an apprentice architect to a local man for several years. At the age of 22, Hardy had worked enough to foster a move to London to attend King’s College where he did design work with his architectural skills. Despite his success there, Hardy never felt truly at ease in the city – he was keenly aware of the class divisions and became extremely interested in social reform – a key element that would make itself known in his later works. In 1867, after only five years in London, Hardy chose to return to the countryside and settled in Weymouth while beginning his writing career alongside working as an architect.
Our beautiful 1958 copy of Far from the Madding Crowd put out by the Limited Editions Club and signed by the illustrator!
Hardy began writing novels the same year he chose to leave London. His first novel, The Poor Man and the Lady, could not find a publisher willing to work with it due to its highly political nature. In fact, Hardy’s friend and fellow author George Meredith even concluded that attempting further to get the story published might harm Hardy’s ability to have work published in the future. Deciding the cons outweighed the pros, Hardy shelved the book and went on to publish several novels in the 1870s, including Desperate Remedies (1871), Under the Greenwood Tree (1872), A Pair of Blue Eyes (1873) and Far from the Madding Crowd (1874) – a work he is well-known for today. Hardy, beginning by being published anonymously, quickly took credit for his works and was a prolific writer through the rest of his life. He went on to publish ten more novels after Far from the Madding Crowd (including Tess of the D’Ubervilles and Jude the Obscure - other popular Hardy titles), dozens of short stories, and several books of poetry.
Hardy’s written style has been classified as Victorian realism – he used his own experiences in London, seeing the detriments of such a classist society in England, to fuel his writing and criticisms of the social constraints found in all aspects of Victorian life. The human suffering caused by these limitations set upon people are constant themes in all of his works. In his own way, Hardy wished to banish the conventions found in society, religion, romantic relationships and friendships and live a freer life. Hardy also full-heartedly believed in fate, and its ability to change destiny, another theme commonly found in his characters’ journeys.
Hardy and his work were an influence on many, many creatives and authors both in his time and ever since – some of the more notable ones include D.H. Lawrence, Virginia Woolf, Anais Nin, John Cowper Powys and W. Somerset Maugham. His courage to bring attention to the disadvantages of common societal roles was admittedly brave for his time. He is a great example of an author who broke literary norms to help lead us into modern day life. (Which, despite the myriad of problems we still face and propagate, has the advantage of being a much more liberated, independent society where anything is possible.) So a very Happy Birthday to him… and for the love of Thomas Hardy!
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Starting with a short overview of the story (for the .000001% of you that have been living under a rock these past 160 years), we can come to look at the “expectations” housed within and see what we can decipher from the moral tale it holds. When young orphan Pip encounters an escaped criminal hiding in a churchyard one Christmas Eve, it gives him the fright of his life. The young boy is scared into thieving for the convict, and though the criminal is recaptured and clears Pip of suspicion, the incident colors Pip’s outlook on life. The young boy is sent to the house of the spinster and slightly mad Miss Havisham, to be used as entertainment for the lady and her adopted, aloof and haughty daughter Estella. Pip falls in love with Estella and visits them regularly until he is old enough to be taught a trade as an apprentice blacksmith. Four years into Pip’s apprenticeship, however, a lawyer arrives with news that Pip has anonymously been provided with enough money to become a gentleman. An astonished Pip heads to London to begin his new life, assuming Miss Havisham is to thank for his unexpected new windfall. Once in London the young Pip is introduced into some society, and makes new friends. His heart still belonging to Estella, he is ashamed of his previous life and expects his social advancement, new wealth and sudden social standing to sway her emotions towards him more favorably. It does not, Estella remains cold as ever, and Pip’s illusions are finally shattered when he realizes that his benefactor is not Miss Havisham at all, but the escaped convict Magwitch whom he helped in the churchyard all those years before. Through many mishaps and misfortunes, Pip and his friends attempt to help Magwitch escape England (which is ultimately unsuccessful), where he had returned to simply to make himself known to Pip. Pip learns valuable lessons throughout the story – interestingly not necessarily from those with money and social standing, but more often than not from those in his own class. The story has a kind ending, with Pip and an altered, warmer Estella walking hand in hand over a decade after her initial rejection of him (though Dickens originally planned a more likely, yet more disheartening end to the story and was convinced by Edward Bulwer-Lytton to change it).
Before Dickens published A Christmas Carol (written in only a six short weeks, and published the week before Christmas at considerable expense to Mr. Dickens), he and his wife Catherine were experiencing your average hardships. They were expecting their fifth child, and supplications of money from his aging father and family, with dwindling sales from his previous works had put him into a tough financial place. In the fall of 1843, a 31-year-old Dickens was asked to deliver a speech in Manchester, supporting adult education for manufacturing workers there. His extreme interest in the subject (one that hit a bit too close to home, I believe) and his resolve to aid the lowly pushed an idea to the forefront of his mind – a speech can only do so much… to get to the crux of the matter he would need to get into the hearts, minds and homes of his readership and country. As the idea for A Christmas Carol took shape and his writings began, Dickens himself became utterly obsessed with his own story. As his friend John Forster remarked, Dickens
