Evelyn Waugh, one of the sharpest pens of the 20th century, was a writer whose life looked every bit as colorful as the characters he created. Known for his sharp and biting satire, elegant prose, and complex relationship with faith and society… Waugh left behind a legacy that still captivates readers today. While his name might suggest a genteel English lady sipping tea, Evelyn was anything but – his writing style often cut deep through the hypocrisy of the upper-class. On the anniversary of his death on April 10th 1966, we remember the man behind the books, and the wit behind his words!

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Born in 1903 to a family deeply invested in literary tradition, Arthur Evelyn St. John Waugh (what a mouthful) grew up surrounded by books – and an expectation to do something clever with them. His father, a publisher, supported Evelyn’s literary interests, though perhaps he didn’t foresee just how sharp Evelyn’s words would become. Waugh attended Oxford, where he mingled with the Bright Young Things (the 1920s version of Instagram influencers, minus the selfies), and began honing his rather sardonic view of the world. Although he initially dabbled in art and teaching, it was the failure of those pursuits (plus the chaos of a brief and disastrous first marriage to one Evelyn Gardner) that pushed him headfirst into writing. Turns out, misery makes good material. Waugh’s early works, like Decline and Fall and Vile Bodies, are comedic masterpieces that use what looks like effortless flair to run through the absurdity of British society with a literary knife.
As Waugh matured with age, so too did his writing. He converted to Catholicism in 1930 after the dissolution of his marriage, stating that the world was “unintelligible and unendurable without God” – a shift that deeply influenced his later work and worldview. His wartime experiences as an officer in World War II, meanwhile, showed itself as a darker and more introspective tone in his post-war novels. Despite his increasing curmudgeon tendencies in his later years (he once described a holiday as “a time when one’s wife and children get extra chances to annoy one another”), he remained a literary heavyweight. He rose to fame early and quickly, but it never seemed to soften his critical edge – if anything, it perhaps sharpened it.

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Waugh’s most celebrated novels are Brideshead Revisited, a nostalgic and spiritual exploration of a fading English aristocracy, and Scoop, a rather hilarious satire on journalism that somehow feels more relevant with each passing year. Beyond simple satire and entertainment, Waugh’s writing often challenged readers to look beneath the surface – to see the rot beneath the glamour and the sadness behind the mask. His influence can still be felt in modern satire and literary fiction, reminding us that sometimes the best way to say something very serious is to make people laugh first. You can see this style in modern writing and even screenwriting for television and movies. In a world increasingly obsessed with appearances and irony, Waugh’s work feels oddly current – proving that even the most buttoned-up, serious man can still throw a punchline that lands nearly a century later.