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“Knowledge Comes, but Wisdom Lingers”: An Inside Look at One of the Most Quoted Writers of All Time

By Margueritte Peterson

In August of 1809, a boy was born in Lincolnshire, England, who would go on to become one of Britain’s best loved poets. This boy was talented as a writer early on, and together with two of his brothers published a local book of poetry by the time he had turned 17. His family grew up rather close, and though he enrolled in Trinity College, Cambridge in 1827, he was forced to drop out before getting his degree and return home when his father passed away four years later.

Tennyson2Do you know who it is yet? Some of you may have guessed, given the title quote of this blog. Once dropping out of Cambridge, Alfred Tennyson spent the next few years of his life taking care of his family. His second book of poetry, published in 1833, was met with quite a large amount of criticism from readers – despite it having the masterpiece “The Lady of Shalott” in it! Unfortunately Tennyson was not able to take the criticism in stride, and was put off of publishing again for a decade. Though not much time was spent above on detailing Tennyson’s rather homely and happy childhood, it should be noted, due to the fact that it helped inspire much of his creative writing, that within this decade he experienced quite a few hardships – his close friend (and soon to be brother-in-law) Arthur Hallam died suddenly. Not only did his death shake the core of the family, but they then moved to Essex where they lost a large portion of their fortune in a bad investment. Tennyson moved to London, and lived modestly while continuing to write poetry.

After the sting of negativity from his other publication had worn off in 1842, Tennyson published two volumes of poetry, the first with his prior works and the other with all new poetry. This time, he did not need to worry about criticism! The books were regarded as masterpieces and Tennyson enjoyed overnight fame. Throughout the 1840s he continued to publish, and was consistently regarded as one of England’s most talented poets. In 1850 Tennyson published In Memoriam A.H.H. – one of his crowning achievements. Dedicated to Arthur Hallam, his friend from many years before, the poem (133 cantos long) is a meditation on great loss and the search for hope after experiencing such tragedy. Some of its lines are often quoted as Tennyson’s most famous stanzas, such as: “I hold it true, whate’er befall;/ I feel it when I sorrow most;/ ‘Tis better to have loved and lost,/ Than never to have loved at all.”

Tennyson with his wife and sons in the 1860s.

Tennyson with his wife and sons in the 1860s.

The year that In Memoriam was published held many interesting events for Tennyson, including his marriage in June to Emily Sellwood, a lady (who was 37 when they married) whom Tennyson had known since childhood. Also in 1850 Tennyson was given one of the biggest honors of his career, succeeding William Wordsworth as Poet Laureate (a position he held until his own death in 1892 – the longest tenure of any Poet Laureate before or since). Though he was, given the position, often forced to churn out works for notable British events, he also endured success in the next few decades of his life. In 1855 he wrote one of his most famous pieces, “The Charge of the Light Brigade.” In fact, this piece was so popular that later in Tennyson’s life Thomas Edison used somewhat new technology (wax cylinder recordings) to make some of his earliest recordings – of Tennyson reading his own poetry, this piece in particular. (Listen to it here, though please ignore the creepy animation of Tennyson’s face!)

Our 6 volume holding of Tennyson's Select Works, including Idylls of the King! Click the image to view.

Our 6 volume holding of Tennyson’s Select Works, including Idylls of the King! Click the image to view.

Tennyson passed away at the age of 83 in 1892. He wrote his whole life, even until his last few years, and (as previously stated) held his royal position as Poet Laureate until his death. He authored dozens of poems, received awards, honors, and was even a favorite poet of Queen Victoria, whom he met on two occasions – the second of which was spent with the Queen explaining to Tennyson how comforted she was by In Memoriam after the death of her husband, Albert. Tennyson and his wife Emily had two sons, Hallam and Lionel, Hallam going on to take over his father’s Baronecy and publish the authorized biography on his father after Tennyson passed away. To this day, lines of Tennyson’s works are often well-known, if not always appropriately attributed to their rightful author. After all, how many of you knew that it was Tennyson who wrote “‘Tis better to have loved and lost, than never to have loved at all”?

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A Warm Welcome to Kate Mitas, Tavistock Books’ Latest (and Most Valuable) Acquisition!

In late July, Tavistock Books gained a new member of the team, Ms. Kate Mitas. We give you the inside scoop on this bibliophile and what made her travel across the country to Alameda, California!

What drew you to rare books in the very beginning? Was it before your first ever bookstore job?

I didn’t really come into contact with rare books much before my first bookstore job. I come from a family of readers, so there were always books in the house growing up, but no one was a collector. When I did see rare books, it was usually in museums, and they seemed interesting but remote – I think in general I need a certain amount of tactile experience in order to really appreciate a book, rare or not. Also, I had an early, scarring experience with perceived rarity: when I was about seven, I had $3 to spend at a street fair, and I blew it all on some Grosset and Dunlap children’s reprint that came out in the 1950s, just because it looked “old.” And then it turned out to be devastatingly dull, and I swore I’d never judge a book by its cover again. It took a long time, and actually handling some remarkable books, for that promise to become the epic fail it is now.

Time to pry! Where are you from? What’s your background in the book business?

I grew up outside of Dayton, Ohio, and have lived and worked in various places around the country since then. About eight years ago I landed a job at Cellar Stories Bookstore, in Providence, R.I., whose rare book room finally made me reconsider my staunch anti-collecting position. I started out doing the shelving and shipping, and otherwise being a general minion, then became the manager there a year later (a.k.a., Chief Minion). The store has been around for 34 years and is pretty beloved by the community, so it was a great opportunity to learn the basics of the trade – cataloging, buying, sourcing books for customers, and all the rest of it – from an established dealer, many of whose long-standing customers I now consider friends.

About a year and a half ago I moved back to Dayton and put my skills to use assisting at Blue Jacket Books, in Xenia, O.H., which went into new ownership four years ago and has already come into a couple of nice collections. For what it’s worth, during my time there I also learned the knack of herding the owners’ three goats (should anyone wish to know: stuff your pockets with alfalfa and stride purposefully in whatever direction you want them to go, like a general marching into battle at the head of an army that may or may not have gone into full retreat behind her – occasionally it even works!). All in all, it’s been a privilege to work at two shops so dedicated to continuing the trade.

Ms. Mitas herself! Hard at work at her new desk in Tavistock Books.

Ms. Mitas herself! Hard at work at her new desk in Tavistock Books.

What would you say is the coolest or most interesting bookstore/library that you have ever been inside of? (I know, I know… left field!)

Hmm . . . that’s a tough one, since I tend to love just about every bookstore or library I’ve been in for one reason or another. I’m going to opt for a small treasure: the Adams family library in Quincy, MA. It was built out of stone by Charles Francis Adams, John Quincy’s son, in order to be fireproof, which sounds formidable, but, covered with ivy and surrounded by a garden in full summer bloom, is remarkably unprepossessing. And inside it’s got to be the most reader-friendly presidential library (and was used for that reason by succeeding generations of Adamses, including Henry): it’s a single large room filled with couches and writing tables, and has books lining the walls two stories high – no second floor, just a balcony running alongside the upper tier for browsing ease, as well as maximum natural light. Most of John Adams’s books are in the special collections of the Boston Public Library, but the rest of the family weren’t exactly slouches, and, really, it just seems like a delightful place to hunker down with a good book. I kind of want to live there, in fact. Minus the huge portrait paintings.
What are you most looking forward to with the position at Tavistock Books?

I have an enormous amount to learn about the antiquarian side of the trade, so . . . pretty much everything! I’m incredibly lucky to have Vic as a teacher, and I’ll get to work with amazing material. What more could I ask for?

Just to be even… what are you least looking forward to with the position? 🙂

Having to pretend I don’t hate the San Francisco Giants. (You said Vic wasn’t going to read this, right?)

What is your favorite book and why? Do you have a favorite literary genre?

I’m terrible at culling my favorites down to one, so I’ll call your favorite book and raise you two of my favorite authors, instead: Italo Svevo and Flannery O’Connor. I love mordant, absurdist humor, and both authors utilize it in very different ways, with very different ends in mind. I do tend to lean more towards modern literature and poetry, but am interested in a lot of genres and periods. Ask me again in a few months, and I”ll probably have different answers for you.

 

Where do you eventually hope to take the position? What will you do with the knowledge of the rare book trade?

Eventually, I’d like to open a shop of my own, but at this point, that’s very much an “eventually.” In the meantime, I’m going to focus on building up my expertise, do as much as I can to help keep the shop running smoothly, and simply enjoy the education I’ll be getting along the way. I think I’m in for some interesting and fun times, whatever they may bring!

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An Interview with… A Record Breaking Rare Book School Attendee! (Who also Happens to be the Head of Tavistock Books)

The Lord and Master of Tavistock Books recently finished his 21st course at Rare Book School in Charlottesville, Virginia, having started this love-affair back in 1998! To know more, read on!

So, Vic, you’ve just finished another summer at RBS! How was it?

Let’s start with the word, “Inauspicious.”  Not a word one would normally associate with Rare Book School, at the University of Virginia, Charlottesville [or, to those with some familiarity, C’Ville].  But the word applies this year.  Why?  Because after flying 5 hours Saturday from SFO to IAD, then waiting another 7-1/2 hours for the regional flight down to C’Ville [scheduled 10 pm departure, delayed 3 times], IT WAS CANCELLED BY UNITED AT 12:30 am that night!  Can you say Super Shuttle?  The end result- I didn’t get to sleep till 3 am that Sunday morning.  Yikes, was I a tired puppy that day!
However, as in most such situations, there was a silver lining.  Guess who was also waiting for the flight to C’Ville?  Terry Belanger, Founding Director of Rare Book School.  So, at least, during that ‘delay’ time Terry & I were able to converse on many divers topics.
And you ask, “How was it?”   Simply…  great.  I’ve taken a goodly number of courses [21, since 1998], and all have had aspects of greatness.  This one, THE HANDWRITING & CULTURE OF EARLY MODERN ENGLISH MANUSCRIPTS, taught by the paleography expert, and very personable, Heather Wolfe, Curator of Manuscripts of the Folger Shakespeare Library, I would rate in my Top Ten.
How many times have you been to RBS? You hold the record for attendance, no?

Yes, with 21, I’ve been told I now hold the record for “Most courses attended”.

The beautiful Alderman Library, where, deep down inside you can find dozens of RBS students!

The beautiful Alderman Library, where, deep down inside you can find dozens of RBS students!

Why go every year?

A couple reasons…  first, RBS is the premier place where one can find week-long subject-specialty courses on the many divers aspects of the ‘Rare Book World’.  And I believe knowledge is a ‘critical success factor’ for those in the antiquarian book trade, so these courses add to my  knowledge base.

Second, there are few other places where you’ll find, all at one time, ~ 60 other like-minded folks all not only willing, but eager, to discuss rare books.  Such not the case in Alameda CA, where on a given day, I’ll see Steve the Postman & that’s about it!  So in C’Ville, one can’t help but make bookish friends…  I’m still in touch with folk I met at RBS in 1998, and subsequently.
Third, it’s just plain fun!  C’Ville is a fantastic college town, with some wonderful restaurants, and a goodly number of bookstores.  What’s not to like?
What, in your opinion, was the best thing about the course you took this summer?

The course focused on the English Secretarial hand, a script, for the most part, totally impermeable to me prior to July 20th.  This not to say I’m now fully conversant, not by a long shot, but now I have the tools to decipher much of what I’ll find in front of me.  The challenge going forward will be to maintain that little progress I made during the week.

As to the day-to-day schedule, I haven’t detailed that here, for Cynthia Gibson did it recently for an ABAA blog post.  My day-to-day was similar, albeit with a different subject.
Not that it’s a contest, but could you tell us your favorite course ever taken?

Probably ILLUSTRATIVE PROCESSES, my first course, taught by Terry Belanger, taken back in 1998.

Would you tell every book enthusiast to go to RBS every year?

Well, certainly I advocate it.  I so much believe in what RBS can provide to an antiquarian bookseller that I established the Tavistock Books Educational scholarship back in 2011 [2012?].  For a young bookseller, I’ll pay the tuition to the RBS course REFERENCE SOURCES FOR RESEARCHING RARE BOOKS, taught by Joel Silver, Directory of the Lilly Library [for those interested, details can be found on the RBS website].  So yes, you could say I would tell all to go every year, as I certainly follow my own advice!

When book-minded people get together, dinners and drinks are common occurrences! What is your favorite social aspect of the weeks?

Vic (far rear on the right) and clan at Hamilton's on the last night of RBS!

Vic (far rear on the right) and clan at Hamilton’s on the last night of RBS!

Sunday night, after the opening reception/talk, folks sign up for a meal at a nearby restaurant.  It’s a great ice-breaker for ~ 10 people to get to know each other, as well as sample the fare of the local eateries.  Our 10 ended up at Michael’s Bistro & Taproom, a C’Ville institution.  And then Thursday night is bookseller night, where the local bookstores stay open a bit later to accommodate the RBS student’s schedule.  After, I always get a half-dozen or so folk to join  me at Hamilton’s on the Mall.  Been going there since ’98, and haven’t ever had a bad meal, not even a so-so one.

If you stay on the Lawn, then one social aspect is the gathering of folk outside one room or another, and drinking, talking, playing music.  Very social…  and one can always tell the next morning those that joined in!
All-in-all, a lovely week, and I met some terrific folks I know will be friends for a long time.  And while I’m a bit wistful that it’s all over so quickly, I look forward to next October, when the RBS staff announces the 2016 schedule.  I’ll be there, you?
Click here to learn more about Rare Book School!
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Dire Circumstances at Tavistock Books (Humorous Relief for Your Reading Pleasure)

Something that has happened often enough at Tavistock Books to admit (as long as my boss does not read this blog) is the dropping of books. My first week Vic left me alone with the store (let’s not even talk about how I neglected to charge a guy spending $600 sales tax or that I accidentally tripped over a globe and bled on the carpet) and while he was out at a Giants game, enjoying the sunshine and the hot dogs, I was pretending I knew how to do leather dressing on a book. I was startled by a customer (you know… human interaction frightens me), and the book slipped out of my hand, slammed to the ground, and both boards snapped off the spine and lay in a messy heap at my feet.

So, logically, the next thing I did was to call my father immediately (meanwhile the book is still on the ground, in case you were wondering) and cry a bit and tell him that I was going to get fired. After about 10 minutes of whining to a parent who was, at that point, probably more than a bit concerned about my overall mental health and what the California air was doing to my brain, I acted my age and called my boss. With only minor cracking in my voice I told him I had dropped a book and broke it. Vic, of course, couldn’t be less concerned and simply said, “okay so… we’ll get it fixed?” I did neglect to mention on the phone that it was a $1000 book, but oh well! I didn’t get fired (clearly).

The point of this blog is to inform other young booksellers the proper etiquette when dropping a book, this especially for all the assistants out there. Once a book is dropped, the first thing you should do is look around to see if anyone saw and/or heard the book being dropped. If the answer is no, breathe a sigh of relief and then pick it up quickly. While casually looking like you’re inspecting the state of the mylar dust jacket cover or the age-toning of the endpapers, inspect the book for any bumping or creasing you may have caused that you could not definitively say was there before. If any disfigurements are found, the first thing you should do is put it in a pile somewhere where human customers go, and leave it out for a day or two. Then, when your boss is sitting right in front of you, casually find it and exclaim over the horrifying tear or crease and start calling customers names in your anger at their casual manhandling of your precious books. The madder you get, the better. Your boss may think you have anger management problems, but so be it. He’ll never know the difference. You could take my route and hyperventilate instead, but it’s really not a good idea. Salt-water wrecks havoc on paper and if you cry on the book it will just make it worse.

(This is, of course, a joke, and I have always told my boss when I drop things.)

(I almost always tell my boss when I drop things.)

 

(Customers should really be more careful around Tavistock Books.)

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The Brothers Fleming: Peter & Ian and a shared Bond

Everyone knows the name Ian Fleming. It is not, by any means, a new name to the 20th century reading public and almost all could tell you that the great Ian Fleming was the creator of the dashing James Bond and all his escapades. However, all may not know Ian Fleming was not only the author of the Bond novels, but also an English journalist and naval intelligence officer. But he is primarily remembered as an author, who sold thirty million books during his lifetime, with double that sold in just the two years following his death.  Made into films, by 2012 the Bond series movies were the second highest grossing film series of all time, trailing only behind Harry Potter.

Peter and Ian as youngsters - so close that it is hard to tell them apart!

Peter and Ian as youngsters – so close that it is hard to tell them apart!

We know Ian Fleming was one of five children, grandchild of Robert Fleming (a wealthy merchant banker, founder of Robert Fleming & Co.). But what is known about Ian’s older brother Peter Fleming? Many today may not know or remember this name, but in his time Peter Fleming too rocked the literary world, just as his younger brother would a decade or so later. Peter Fleming, born in May 1907, was an adventurer, a travel writer, and a heartthrob throughout the 1930s and 40s. How then did this popular, adventurous author become overshadowed by his younger brother to the point where almost ten years after James Bonds’ author Ian died young, Peter’s modest gravestone in a quiet town in the Oxfordshire countryside read, “He travelled widely in far places; Wrote, and was widely read. Soldiered, saw some of danger’s faces, Came home to Nettlebed. The squire lies here, his journeys ended – Dust, and a name on a stone – Content, amid the lands he tended, to keep this rendezvous alone.” How one goes from stardom to a modest, quiet life is a very good question indeed!

Our 1st edition listing of Peter's first book.

Our 1st edition listing of Peter’s first book.

Peter and Ian Fleming grew up one year apart, from a well-to-do family, in the United Kingdom. Though it must have been difficult growing up so close in age as sibling rivalries took place, the brothers seemed not to let it get in the way of their relationship and throughout their lives were steady supporters of each others’ careers. Both were trained in intelligence during the course of World War II, both were star pupils at Eton (though where Peter seemed to glide through, Ian was a more difficult case). This, unfortunately, seemed a usual ritual. Ian struggled to make a living as a stockbroker, while a 24 year old Peter was working as the assistant literary editor at The Spectator. Peter answered an advertisement looking for a adventurous soul for an expedition through Brazil, and began his travel writing career. The resulting book, Brazilian Adventure, launched the elder Fleming’s literary career. He married the beautiful film actress Celia Johnson, and for a while his fame was more intense and well-known than Ian ever dreamed he could experience. Unfortunately, in 1947, Peter fell from a horse and suffered a crushed pelvis. After this incident he wrote no more travel books in far-off places, and retired to a somewhat more modest and quiet life.

Goldfinger - one of Ian Fleming's most beloved stories. Our holding signed by Bond movie stars!

Goldfinger – one of Ian Fleming’s most beloved stories. Our holding signed by Bond movie stars!

Peter was the instigating force behind the publication of Ian’s first novel, Casino Royale. It was Peter who suggested the change of M’s secretary to Moneypenny. Peter went over Ian’s manuscripts with such a fine-toothed comb that it “earned him the nickname Dr. Nitpick” (Telegraph.co.uk). So why then – if Peter was the accomplished literary scholar, the responsible adventuror, the charming author – is it more his younger brother we remember today? Ian Fleming wrote Casino Royale in 1952, and finished the novel within a short span of a couple months. The resulting story was immediately popular and three print runs were necessary to cope with the large demands made for the book at its publication. Casino Royale introduced the character of James Bond, a handsome and charming MI6 Secret Intelligence Officer, known by his code name “007.” The Bond stories center around this daring spy’s exploits, often involving ruthless villains and pretty women. Ian Fleming enjoyed a decade of immense success following the quick publication of his first five Bond novels, a period which went into a short decline after his popularity suffered a blow under a harsh criticism of his book Dr. No. However, it bounced back once knowledge that his novel From Russia, With Love was hailed as one of John F. Kennedy’s favorite books of all time. At this time Fleming began work on the screenplay of Thunderball, Goldfinger, Dr. No and From Russia, With Love, while also taking the time to publish a beautiful children’s story, Chitty-Chitty-Bang-Bang.

Unfortunately for Ian, his life was cut short. A life-long drinker and smoker, Ian suffered a fatal heart attack on August 12th, 1964 and passed away on his son Caspar’s 12th birthday.  For the years remaining to him, Peter struggled to be a father-figure to the troubled Caspar (who committed suicide at the age of 23), but Peter also succumbed to a heart attack 7 years later, while out shooting with friends. Hunting game was one of Peter’s greatest joys in life, and a primary he pursued the Brazilian adventure mentioned earlier. It seems only appropriate that he would die doing something he loved.

What then, of the intense similarities and differences between these two brothers? Both magnificently talented, if not in similar writing styles, but more their ability to make a splash. Both dependent on the other for support and friendship throughout their lives. On one hand you could make the argument that it is unfair for so much literary popularity to reside in one family. On the other… how lucky we are to have experienced both of their styles and careers from their literary remains!

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Find Another! A Short Summer Miscellany

Announcing the upload of our newest PDF catalogue: Find Another! A Short Summer Miscellany.

rarecatgrab

 

In these days of internet bookselling, with thousands of booksellers listing millions of books for sale, it is said to be successful in such a competitive environment, one must routinely offer

1. the cheapest copy, or,

2. the best copy, or,

3. the only copy.

Here at Tavistock Books we prefer, when able, to pursue the 3rd option as our primary business paradigm, for, by definition, the 3rd tenet encompasses the first two. Here then is our Summer list, which is comprised of 30 items, each of which is the only copy currently offered on the market.* Or, borrowing Peter Howard’s slightly more emphatic expression, “Find Another!”.

We time the issuance of this list to coincide with the convening of this year’s RBMS Conference, whose attendees we welcome to Oakland, home of the World Champion Golden State Warriors, and a scant 2 mile 51A bus ride from Alameda, where one will find Tavistock Books, soon to celebrate our 18th anniversary on Webster Street. We also welcome your visit to the shop, should you care to come browse 15,000 other books, et al, in addition to the 30 items found in this catalogue.

Enjoy – both the list, as well as your stay in Oakland, should you be one of the many visiting our lovely San Francisco Easy Bay.

*a recent point-in-time determination made by searching viaLibri.net, with the full realization that the market is dynamic, and other copies may come and go over a given period of time.

<http://www.tavbooks.com/tavistock/images/pdfcatalogs/11_catalog.pdf>

Enjoy.

Vic Zoschak, Principal

Margueritte Peterson, Aide-de-Camp

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Handel This! A Brief Biography of the Baroque Composer

Handel, later in life.

                   Handel, later in life.

The year 1685 was monumental in the world of classical music. Domenico Scarlatti, Johann Sebastian Bach, and George Frederich Handel were all born within a few months of each other, and all came to be titans of the Baroque era. Unlike such composers as Bach, Mozart and Beethoven, whose stories are considerably well-known in the musical world, to those outside the classical arena, Handel’s life is somewhat of a lesser-known story. Though many people walking on the street (at least the streets that I walk around) could tell you that by the end of his life Beethoven was deaf, or that Mozart was a child prodigy, one with an annoying laugh at that (oh wait, that’s just the movie Amadeus)… what can you tell me about Handel? Not much right? So let’s start with this… he was born in Halle, Germany, he once challenged another musician to a duel over said musician’s opera, and he wrote some of the most beloved pieces of classical music now enjoyed in this day.

Compared to Mozart’s father, who forced him to perform, blindfolded, for royalty, Handel’s family was not quite of the same level of musical motivation. Handel’s father wished him to study Civil Law, and was highly distressed by George’s propensity toward music, even going so far as to forbid him to have anything to do with musical instruments, of any kind. Handel could not abide by these strict rules, and said to have snuck a clavichord into an upstairs room in his family’s home in order to teach himself the keyboard instrument. As a young boy, Handel and his strict father traveled to Weissenfels to visit a relative who was serving as valet to Duke Johann Adolf I. Much to everyone’s surprise (given the secretive lessons in the attic), when lifted onto an organ stool he astonished the small crowd with his musical talent (and such with little to no formal musical training whatsoever). The duke himself helped convince Handel’s father that music lessons for the young boy were imperative. As a result, Handel began training with the oboe, violin, harpsichord and organ with the organist of their local church. By 1698, at the age of 13, Handel had played for royalty – Frederick I of Prussia.

An excerpt from Handel's own composition of "Messiah".

An excerpt from Handel’s own composition of “Messiah”.

Handel enjoyed early successes after his first posting as an organist in 1702, and as he took positions throughout Germany and Italy, and then in England, where he spent the most of his life, he composed a grand total of “42 operas, 29 oratorios, more than 120 cantatas, trios and duets, numerous arias, chamber music, a considerable amount of ecumenical pieces, odes and serenatas, and 16 organ concerti” (Wikipedia). His opera Rinaldo, performed in 1711, impressed English audiences so much that Handel was able to make a permanent move to London and a few short years later composed his famous Water Music for a royal boat outing of King George I. He enjoyed mass popularity throughout the 1720s and 30s, composing many of his operas and oratorios in that time. By the time he composed his oratorio “Messiah” (his 6th composition in English – most of his work to that time had been in Italian language and style) in 1741, he had a statue honoring him in the royally maintained Vauxhall Gardens (to say the least, an unusual privilege for a living person). His Messiah initially experienced an modest public reception, but steadily rose in popularity and it is now “one of the best- known and most frequently performed choral works in Western music” (Wikipedia).

Unlike many other composers throughout history, Handel, to this very day, has been continuously revered by his colleagues and contemporaries. “Bach attempted, unsuccessfully, to meet Handel while he was visiting Halle. Mozart is reputed to have said of him, ‘Handel understands affect better than any of us. When he chooses, he strikes like a thunder bolt.’ To Beethoven he was ‘the master of us all… the greatest composer that ever lived. I would uncover my head and kneel before his tomb… Go to him to learn how to achieve great effects, by such simple means.’” (Wiki). For living in such a musically-charged era, Handel achieved successes that many others never were able to experience.

Our holding of an 1835 holding of Acis & Galatea. Click on the image to find out more!

Our holding of an 1835 holding of Acis & Galatea. Click on the image to find out more!

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Dickens’ Final Chapter: The End of His Life and His Last (Unfinished) Work, The Mystery of Edwin Drood

Charles Dickens was only 58 years old when he passed away. He had long pushed himself too hard for the love of his work and his followers, and in the summer of 1870 (June 9th, to be exact) he succumbed to the exhaustion and after experiencing a fatal stroke, was laid to rest. His work, however, has gone on to be remembered since, and the author has never been out of print. His final work, The Mystery of Edwin Drood, has long fascinated fans, as the murder mystery was unfinished at his death and Dickens never [formally] named the murderer. On this the 145th anniversary of the author’s death, we look at his last years and his final work – a novel that he persisted on writing, even while suspecting his end was near.

Dickens, toward the end of his life.

Dickens, toward the end of his life.

Dickens’ health began to decline when he was involved in the Staplehurst rail accident on June 9th 1865 (5 years to the day before his death, coincidentally). On his return from Paris with his young mistress Ellen Ternan and her mother, the train they were traveling on plunged off a cast iron bridge that was under repair. Luckily, the only 1st class carriage to remain on the track was that one in which Dickens was traveling. Until more aid arrived to tend to the victims, Dickens scrambled around the horrific scene offering brandy and a hat with water, looking after the dead, dying and wounded around him. The tragic incident cast a shadow on Dickens’ life – the horror and absolute panic he experienced led to sleepless nights and night terrors for the rest of his short life. Always the author, however, before leaving the scene of the accident he remembered his unfinished manuscript of Our Mutual Friend was on board and went back to retrieve it.

Though the Staplehurst accident could be viewed as the “beginning of the end” for Dickens, what truly sapped the author’s strength and health was his insistence on the readings that he provided for his fans all over England and United States. These readings were not Dickens merely climbing up to a stage and reading his work aloud to audiences. The author planned his every look and every nuance, practiced scenes until he had them perfect, and left an impression with his audiences that they had just seen the characters they knew and loved on the stage before them. Quite the actor, Dickens had auditioned for a stage career as a young man, but when a cold prevented him from making the tryout, he turned toward a journalism career. In any event, the public readings took much more out of him than his audience realized, and Charles Dickens slowly succumbed to the stress he placed on himself. His farewell readings, lasting from the 6th of October 1868 to the 22nd of April, 1869, took the last of his energy. He began to experience fits of giddiness and paralysis and even collapsed while on tour in Lancashire; Doctors ordered the rest of his “performances” to be cancelled. Dickens retreated to his house, Gad’s Hill Place, in Kent, and under instructions to rest and recover, he began work on what was to be his final novel, The Mystery of Edwin Drood.

Drood was set to be published in only twelve installments, a shorter publication decision than his usual 20 printed parts of a couple chapters each. Though Dickens supposedly mentioned that the murderer was $#&@%#^$ in the @&#^*#*$&@* with the $*#&@*#$& (wouldn’t want to “kill it” for the rest of you), that information is based on the statements of Dickens’ son and also of his close friend John Forster (not unimaginable divulges, but still not ever found to be public knowledge from the author himself). This open-ended story yielded an amazing treat to the public – the chance to finish a Dickens book themselves! Strangely, the first three attempts to complete Dickens’ original tale were written by Americans. The first of them, published in 1870, was more of a farce than a continuation, with the author not even trying to continue Dickens’ style or even storyline (he even magically transported the characters to finish their mystery in the United States ). The second attempt was slightly more serious, a New York journalist named Henry Morford liked the story so much that he traveled to Rochester and published his ending serially from 1871 to 1872, and allowed the character of Edwin Drood to survive the murder attempt. The third effort, which to me seems to prove the gullibility of humans, was written by a Vermont printer named Thomas James. James claimed to have been a “ghost-writer” of sorts (pun intended)… by channeling Charles Dickens’ departed spirit.

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                   A performance of “Drood.”

In 1914, London’s ‘Dickens Fellowship’ held a mock-trial for Drood’s uncle John Jasper (oh, whoops… did I ruin it for you?). A group of well-known writers made up the characters (G. K. Chesterton stood as the judge, George Bernard Shaw the foreman of the jury, etc.). The jury returned with a ruling of manslaughter, and in a great dramatic ending, Chesterton “ruled that the mystery of Edwin Drood was insoluble, and fined everyone, except himself, for contempt of court.” (Wikipedia). There have been four film adaptations of the book, a two-part television drama, a radio reading, and perhaps most interestingly, a musical comedy based on the book. As to this latter, Rupert Holmes wrote the script, music and lyrics to the musical with a twist – at the end of the play, the audience decides by vote which of the characters is the murderer. Not only that, but the audience also picks a romantic ending between two characters of their choice! Holmes wrote alternate endings for every possible voting outcome, even the most unlikely. The actors must memorize and rehearse each possible ending before performing in front of a live audience with an opinion! The production, now titled “Drood,” was first performed in 1985 and was quickly opened on Broadway for a total of 608 performances. It won five 1986 Tony awards, including the award for Best Musical.

A theatre production of "Drood" when the audience is helping choose the ending themselves!

A theatre production of “Drood” when the audience is helping choose the ending themselves!

Now I may not be one for assumptions, but in my personal and ridiculously humble opinion I believe that Dickens would be ecstatic about this new development in the reading of his novel. As I said earlier, the author was always a fan of the stage and wore himself ragged engaging his audiences in a way that no readings had ever done before. In a way, above the movies and the television spots and the proposed written endings for the novel, the musical arrangement of his last and mysterious work with the alternate endings and the audience’s participation seems to me like exactly what the author would have wanted. Engagement, imagination and creativity as a group – just what Dr. Dickens prescribed.

In any event, Dickens clearly left behind a great impression on many future generations of readers and writers. His last work has sparked more investigation and speculation than any of his other works, due to the fact that it remained unfinished – an invitation for his admirers to become involved in a story of (partly) their own making. A more important notion to take away from his final days, however, is that the author loved his work and his readers so much that he didn’t stop working until the very end. And just think, all for our enjoyment! Even now, 145 years to his dying day, enthusiasts and admirers continue to devote their academic and creative minds to understanding the man and his final, unfinished novel.

A page from Dickens' unfinished manuscript of The Mystery of Edwin Drood.

A page from Dickens’ unfinished manuscript of The Mystery of Edwin Drood.

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New Acquisitions at Tavistock Books

We know we’ve been inundating you with blog topics on world class authors, illustrators, artists, and events in history. Is it too much? We thought we’d give you a bit of a reprieve from the education and simply let you read about some new acquisitions we’ve recently catalogued that we are pleased to share with the world. Relax, enjoy, but don’t get too comfortable – I’m sure we’ll be back shoving information down your throats soon enough! (Click on the corresponding images to be taken to the listings on our website.)

10541.21. The Holly Tree Inn by Charles Dickens: I never understood the phrase “selling like hot cakes” until we got in quite a few of these Peterson’s Cheap Editions of some Dickens titles. We only have a couple left – one this Holly Tree Inn, circa 1867-68, with some average wear (spine rolled, chipping to edges… just look at the picture). This collection of stories began with “The Boots at the Holly Tree Inn” and in 1855 it came out in Household Words as a series of stories about a comfortable and cozy fictitious inn. Our copy still in original publisher’s wrapper with woodcut vignette to front wrapper (get it while it’s hot…).

 

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2. Richard Halliburton, Adventurer, Archive of Four Letters in Original Envelopes with b/w Photographic ImagesWho took the first aerial picture of Mount Everest after receiving express permission by stunning the Majarajah of Nepal with bi-plane aerobatics? Richard Halliburton was a legendary American travel writer and adventurer. Reading stories of his feats and antics seem surreal – after all, who flies an airplane upside down over the Taj Mahal? Richard Halliburton performed many phenomenal (and more than mildly insane) feats over his short life – culminating with a burning desire to sail a Chinese Junk Ship from Hong Kong to San Francisco in 1939. Halliburton oversaw the design and building of a ship for his specific purpose, and the crew got underway. Unfortunately 3 weeks into the journey Halliburton and his crew encountered a typhoon on the open ocean and all were lost at sea. This a collection of the last four letters sent to his fans and investors, from his Chinese Junk project in China, describing the momentously annoying building process (he famous wrote to his followers: “If any one of my readers wishes to be driven rapidly and violently insane, and doesn’t know how to go about it, let me make a suggestion: Try building a Chinese junk in a Chinese shipyard during a war with Japan.”) and the building excitement at the coming voyage. 

41503_13. Manuscript Science Lecture Notes from student P. L. Hinton at Randolph Macon College, 1858These lecture notes follow a series of lectures by a (Professor) B. Puryear, where the student takes copious notes on subjects from dew on the ground in the morning to temperature (expansion), vaporization, evaporation, electricity, chemistry (hydrogen gas, nitrogen gas, carbon, etc.), the atmosphere, among other scientific things. One of the interesting parts of this school notebook, however, is that at one point Hinton notes a speech, “Delivered before the F. L. Society on the Admission of a new member. Mrs. Tolbert by Willie Star of Richmond City. The Franklin Badge.” Possible secret society, maybe, perhaps? Randolph Macon was founded in 1830 by the Virginia Methodists and is the second oldest Methodist-run college in the country.

414324. USS Enterprise, Navy Cruise BookCommissioned in 1962, Enterprise was the world’s first nuclear-powered aircraft carrier & the 8th United States naval vessel to bear the name. Like her predecessor of World War II fame, she is nicknamed “Big E”. At 1,123 ft, she is the longest naval vessel in the world, a record which still stands. Enterprise’s crew numbered some 4,600 odd sailors, aviators, et al. 1969 was a fateful year for this ship, as on the 14th of January, a MK-32 Zuni rocket loaded on a parked F-4 exploded after being overheated by an aircraft start unit. The explosion set off fires and additional explosions across the flight deck. This horrific event is pictorially captured in this volume, as well as the crew, ship’s departments, etc, as is the norm for a cruise book such as this. No copies found listed on OCLC.

41500_35. [Photograph Album]. Boat Construction in 1916 and The Sunshine: Many photographs in this album were taken by Edwin Levick, a famous boating photographer, most well-known for his many images of years of America’s World Cup races, operating prolifically from the 1910s to the 1940s. Though the first pictures in this book are not attributed to him, it is possible he is the photographer. The first 31 images follow the construction of the powered boat MARIE, from a simple wooden outline of the hull to completion. The last 19 images are of the luxurious SUNSHINE, of it elegantly gliding on the water and its sumptuous interior rooms, from the kitchen to the staterooms and the lifeboat deck. Though no information was able to be found on the SUNSHINE, we can assume these pictures were taken sometime in the early 1920s.

Hope you enjoyed learning about some new items in the Antiquarian Book Trade! Check back in again soon for more exciting blog posts.

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A Donation to Children’s Illustration: A Short Tribute to Randolph Caldecott

Randolph Caldecott was born in March of 1846 in a city called Chester, England. He left school at the tender age of fifteen and went to work in a bank branch. In 1861 he saw published his first drawing – and despite the fact that he was to be most remembered for his humorous depictions and lively countryside scenes, Caldecott’s first published work would be of a catastrophic fire at the Queens Railway Hotel in Chester which, along with his write-up of the event, appeared in the Illustrated London News. In his early twenties Caldecott was able to transfer to the Manchester & Salford Bank in the thriving Northern city and began to take night classes at the Manchester School of Art, all while continuing to have his sketches published locally. Upon making the acquaintance of Henry Blackburn and getting published in the London Society, Caldecott realized his talent could be enough to support him and at the young age of 26, he quit his banking job to move to London. In 1869 Caldecott exhibited an illustration in the Royal Manchester Institute, and 7 years later was displayed once more, this time at the Royal Academy. In 1872 he was elected to the Royal Institute of Watercolour Painting.

Randolph Caldecott.

One of the only surviving images of Randolph Caldecott. 

In 1877 Caldecott’s life would change forever, as he filled in for Walter Crane’s absence in the production of two small children’s Christmas Books – The House that Jack Built and The Diverting History of John Gilpin with color printer Edmund Evans. He would go on to create/illustrate two children’s stories for Evans at Christmastime until his death in 1886. These children’s stories became standards as Christmas annuals and were immensely popular, bringing Caldecott fame from around the world. As an enterprising young man, he also became quite wealthy from his work. As the website randolphcaldecott.org.uk states, “Randolph Caldecott is believed to be the first author/illustrator to have negotiated with his publisher to receive, instead of a fixed fee, a ‘Royalty’ per book sold: he received one old penny per book (there were 12 pence to the shilling). The first print run was a cautious 10,000 copies. They were so popular that by July 1886, 5 months after his death, over 800,000 copies had been sold.

Caldecott often visited warmer climates in the winter months, due to consistently bad health (after an illness at a young age the illustrator continuously suffered from a heart condition and gastritis). The last winter of his life, he and his wife Marian Brind traveled to New York and down to Florida. Unfortunately it was an abnormally cold winter, even in Florida, and Caldecott took ill and never returned to the United Kingdom. His last days were lived in St. Augustine, where he died on February 12th, 1886.

The Caldecott Medal with it's replication of The Diverting History of John Gilpin illustration.

The Caldecott Medal with its replication of The Diverting History of John Gilpin illustration.

Let us now turn to the story behind the annual award to a children’s book illustrator named in Caldecott’s honor. Rene Paul Chambellan, an American architectural sculptor who specialized in the Art Deco style, designed the medal in 1937. The medal itself depicts two of Caldecott’s most famous illustrations – a scene from his work The Diverting History of John Gilpin and one of his nursery rhyme “Song of Sixpence.” After the Newbery medal was created (also in 1937 – as an award for distinguished children’s literature), “many persons became concerned that the artists creating picture books for children were as deserving of honor and encouragement as were the authors of children’s books, Frederic G. Melcher suggested in 1937 the establishment of a second annual medal. This medal is to be given to the artist who had created the most distinguished picture book of the year” (ALA.org – American Library Association). The rules of the Caldecott award are quite simple, really. It must be a book with original work (whether also written by the illustrator or not) by an American citizen or resident (or in a U.S. Commonwealth) that distinguishes itself in the field of children’s illustration. The medal itself weighs just over 3 pounds, and is not worn but rather presented in a box for display.

"And the Dish ran away with the Spoon!" An Illustration by Caldecott, demonstrating his humorous, exciting and moving illustrations.

“And the Dish ran away with the Spoon!” An Illustration by Caldecott, demonstrating his humorous, exciting and moving illustrations.

Though the reason for a British illustrator being chosen as the figurehead/namesake of an American award continues to confuse some of the American public, the American Library Association website claims (rightly so) that Caldecott was one of three of the most influential children’s illustrators working in the 19th century. Along with Walter Crane and Kate Greenaway, Caldecott helped shape an entirely new generation of children’s illustration with his humorous visuals. As ALA states, “his illustrations for children were unique to their time in both their humor, and their ability to create a sense of movement, vitality, and action that complemented the stories they accompanied.” We cannot deny the fame that Caldecott experienced, even in his short period as an artist, but we also cannot deny the influence he exerted on illustrating for children and the importance of humor, color and excitement in his pieces. Thank you Randolph Caldecott!

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