Category Archives: Collecting

The 2018 National Collegiate Book Collecting Contest

Some of you may not know this, but our fearless leader Vic Zoschak Jr., owner of Tavistock Books, is the current President of the Antiquarian Bookseller’s Association of America. In our eyes there could be no more fitting president, as Vic has always spent a great deal of time, his finances, and effort to ensure that the upcoming generations of booksellers have all the knowledge and understanding of what it takes to become a truly great collector and bookseller. He supports fundraisers and donates, he awards scholarships so that those without the financial stability to attend courses and lectures are able to do so, and he is a large proponent of being “the job.” The man positively eats, sleeps and breathes bookselling. (And manhattans. And the San Francisco Giants. But mainly bookselling.)

It is no surprise then that he would like us to bring a little attention to the recent (just this past Friday) 2018 National Collegiate Book Collecting Contest – a contest established in 2005 by Fine Books & Collections Magazine to highlight, bring attention and awareness to young book collectors across the country, as they are the upcoming generation of people who will support the antiquarian book world – whether as collectors or perhaps even booksellers themselves! Too often we hear (mainly from people outside of our world) that books are going “out of fashion” – did you know another Barnes and Noble bit the dust?? Yes, yes – we know. However, we would like to argue that (despite other, somewhat unrelated difficulties of the act of reading being pushed aside in favor of our fast paced world of technology) rare books should only become… rarer. Collectors are collectors for life – booksellers are booksellers for life. So long as these young people continue doing what they are doing, our world will continue to survive. So without further ado, let’s bring a little light to this contest and the 2018 winners!

A previous year's ceremony. Photo not taken by Tavistock Books.

A previous year’s ceremony. Photo not taken by Tavistock Books.

As we said, the contest was begun by Fine Books & Collections Magazine, but is now jointly sponsored by the ABAA, the the Fellowship of American Bibliophilic Societies (FABS), the Grolier Club, and the Center for the Book and the Rare Books and Special Collections Division (the Library of Congress), with prizes underwritten by the Kislak Foundation. This institutional collective work hard to ensure that college and university students are recognized in their own right as collectors. First, competitions are held at almost 40 schools nationally, and the prizewinners are all encouraged to enter the National Competition, which picks four winners from the lot. Entries are accepted until early summer (usually in June) and the winners for 2018 were picked just last week. The event (held last week at the Library of Congress) includes an awards ceremony, a program, and a reception – and is free and open to the public. 

Though we in California were unable to attend, this year’s ceremony featured featured a talk given by Glen S. Miranker, “an avid bibliophile, a preeminent collector of Sherlock Holmes material, and former Chief Technology Officer at Apple” and was, no doubt, a success! Without further ado, we would like to praise the following winners of the 2018 National Collegiate Book Collecting Contest! 

First Prize: Samuel Vincent Lemley, of the University of Virginia for his collection of Biblioteca Genealogica: Sicilian Printing, 1704-1893

Second Prize: Paul T. Schwennesen of the University of Kansas for his collection, Borderlands: A Manifesto on Overlap

Third Prize: Hanaa J. Masalmeh of Harvard University for her collection - Far From the Eyes, Far From the Heart: My Life as a Syrian-American Muslim

Featured Essay: Ena Selimovic of Washington University in St. Louis - Ja, Ben, I, Je: A Book Collection in Translation

Once again, the ABAA is absolutely thrilled to be a part of this collective offering the chance for young collectors to be recognized – they truly are one of the many important reasons why we do what we do. Well done!

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Report on the Sacramento Antiquarian Book Fair, Pt. II

Answers by Samm Fricke

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So Samm! This is (a bit confusingly) your second Sacramento Antiquarian Book Fair. Could you tell us a bit about your experience, prep and overall impression of the previous Sacramento fair you attended in March of this year? For those of you that don’t know, Samm was brought onboard the Tavistock Books train (what seemed like) mere minutes before this past spring’s Sacramento Book Fair.

Last Sac Book Fair was quite overwhelming for the first hour of set up.  As I was loading in, taking in the surroundings and meeting everyone Vic brought to me saying “This is my new assistant Samm!  Samm this is ….”.  All at the same time! Lots of info and names. But after about an hour of watching other vendors set up booths I was beginning to get a feel for it and settle down a bit. As for the opening of book fair to the public, that was the more easier part as I have done so much book retail in the past, but these were people with more niche interests rather than what I have known of “I’m just looking for a good beach read”.  

How was this last weekend’s fair different from the fair in March for you? Do you feel more at ease with Tavistock’s wares and in the antiquarian book world in general? We know you come from a book background, but we also know that the antiquarian book world is a horse of an entirely different color!

I thought this past weekend was much easier!  I knew where the booth was, I knew our booth mate (Hey Chris!).  The faces of collectors and vendors were more familiar.  I knew where the bathroom was and when was the best time to order food was! Ha! Because I knew vendors a bit more, and they have now seen me, emailed with or talked on the phone with me I was more comfortable making small talk at their booths.  Surprisingly to some, but I am pretty shy! 

As for the wares of Tavistock, yes much more at ease!   And more comfortable discussing product and assisting collectors find items that may interest them.  Knowing the stock is always good, which was not the case last fair!

How did you find turnout and other sellers’ wares? Did any items of note catch your eye?

I only have the last Sacramento Book to compare, but I did think the turn out grander. At the end of the fair Jim Kay got on the mic and said it was the best fair turnout yet – a new record had been set! So shoutout to Jim for doing an awesome job. Perhaps by March 2019 I will have my name tag! *wink wink*

Vic bought a lot of cool items there, more than last year even! (Didn’t think it was possible, but that just shows how much I know.)  You can see them when you sign up for our New Acquisitions Newsletter! (Yes, that is a plug… and yes, you can sign up for it on our website!) As for me, there were a few items that were of interest, though I am not in the position to spend the big bucks on them yet. However, I made many mental notes!
What will be the next fair you are excited about and what do you hope to learn or accomplish before then?

Oakland! I am very, very excited about the Oakland Book Fair in February. Just seeing all the amazing items at Sacramento, I cannot wait to see what an international fair brings! Also, being local means packing and load in won’t be too bad.  

I am trying to have a better grasp on our stock so I select the most interesting items to bring that will also show Tavistock’s interest best! 

We certainly won’t! Thanks, Samm!

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Report on the Sacramento Antiquarian Book Fair, Pt. I

by Vic Zoschak, Jr.

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                              Dinner at Roxy’s could tempt us all!

Reading colleagues’ comments with regard to the recent Brooklyn event, allow me to put in a plug for the Sacramento Antiquarian Fair, held this past weekend.  A semi-annual event, hosted by Jim Kay, I suspect it doesn’t have the panache of Brooklyn, but that said, it has come to be beloved by those of us on the west coast, drawing exhibitors from both ends of the coast, not to mention a fellow bookseller who routinely makes the trek from out Utah way…  that said, despite the close proximity of Sacramento, I suspect David flew east for the weekend, for the local event definitely has a Californiana bias in exhibitor offerings, and that not David’s metier ime, but it is one of mine. Given that, from an ABAA colleague I bought a [what I consider to be] fantastic item: an 1853 Sacramento Directory, and as I recall, the second Sacramento city directory ever published, this one an inscribed presentation copy from the publisher to the man considered to be Sacramento’s first mayor.  Plus *bunches* of other neat stuff, filling over two boxes, and occasioning Samm’s questioning look: “How the heck are we going to get all this stuff in the car?!?”

I have no doubt the food & beverage choices in Brooklyn are myriad, however, I’d stack up the fair’s local concession’s Chicken Pesto sandwich against any comer offered elsewhere [Taylor, feel free to offer your thoughts here  ;) ].  And the pre-fair, post-setup Friday night dinner at Roxy has become traditional, this time around, shared with 9 colleagues… Chuck, Roxy’s Manhattan might even tempt you.  

So, it seems we have two credible regional events on this same weekend in September, and for that I’m thankful.  Here on the West Coast, we’ve lost so many regional fairs over the last decade or two that it’s gratifying this one is thriving [I understand a new fair attendance record was set yesterday].  Further, Jim tells us it’s here to stay as long as he is.  I should add, it’s relatively inexpensive to exhibit… my half-booth, with display case, was a modest $385.

Finally, I personally like the fact that the Sacramento show is a one day event.  I got home last night by 7 pm, slept in my own bed, and today, get to watch Jimmy G & cast take on the Vikings… in other words, no standing around in the booth on a quiet Sunday, hands in pockets, watching the clock sloooowly make its way towards 5 pm.

Very civilized, promoters please take note.

V.

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MRT: A Reminisce

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Michael Thompson, photo courtesy of ILAB.

This past Saturday, the ABAA’s Southern California Chapter held a memorial for our recently departed colleague, Michael Thompson.  Through the good offices of Brad Johnson, my following remarks were read, as I was unable to deliver them in person.  I offer them here too, in an effort to pay wider homage to our dearly beloved friend.

I suspect that I’m like most of you here today, in that I knew Michael for over 2 decades, our acquaintance first being made, as I recall, in the mid-90s, at one of the then bountiful California book fairs.  We recognized in each other a kindred spirit, that is, we both loved the ‘hunt’ for books, and it’s in that vein I’ll relate a story from the late 90s that, I believe, epitomizes Michael’s joy in bookselling…   

One summer, we decided to share a booth at Rob Rulon-Miller’s Twin Cities Book Fair.  Like most regional fairs, Sunday morning that weekend was, shall we say, slow.  Standing idly in our booth, hands in our pockets, Michael looked over at me and inquired,

“Mind holding down the fort?  I’m gonna wander around for a bit.”

“No problem,” say I, “take your time.”

20 minutes later, I see Michael purposely striding back to the booth, clutching a little … something, in his left hand.

Entering the booth, smiling triumphantly, he exclaimed, “I just made my weekend!”

“Do tell!”

“Do you know what this is?” he queried, waving the little pamphlet, leaflet.. I couldn’t quite discern which.  “It’s the press announcement for Saul Marks’ Plantin Press!  I’ve never seen it before, and what do you know, I find this LA item in Minneapolis!  For twenty bucks no less!”  He grinned, and continued, “Young man, just remember, anything can be anywhere!”

Well Michael, I’ve never forgotten that advice given decades ago, just as I’ll never forget you.  Godspeed my friend, may you enjoy this new journey on which you’ve embarked with as much joy as that you experienced in the one just finished.

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Ray Bradbury and Kurt Vonnegut are Two Different People

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Embarrassingly enough (because when should you admit things of that nature except online, in front of strangers?), I spent a few of my formative years confusing authors Ray Bradbury and Kurt Vonnegut. I thought the same prolific man wrote all of their stories! Obviously I was quickly apprised of the real situation (and excruciating difference in genres) and had to immediately stop telling people how much I enjoyed Bradbury’s Slaughterhouse-Five. (I was 14, okay??). I wised up. These many years later I am revisiting my childhood trauma – I mean “experience” – and updating my knowledge on Ray Bradbury on his birthday!

ray10Bradbury was born on August 22nd, 1920, in rural Illinois. In 1932 at the age of twelve, Bradbury had a somewhat extraordinary experience with a traveling magician known as Mr. Electrico – who touched him on the nose and exclaimed “live forever!” – to which Bradbury took in the best way possible – his literature (which he began writing only days after this experience) will live forever. A couple short years later, the Bradbury family relocated to Los Angeles, where he was able to join the Los Angeles Science Fiction league as a teenager, and counted authors such as Robert Heinlein and Henry Kuttner among his mentors.

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ray8At the age of 19 his literary career began getting even more serious – and he honed with fantastical science fiction writing style by publishing his own fanzine, called Futuria Fantasia, and traveling to the first World Science Fiction convention, held in 1939 in New York City. His short stories began to be published in Science Fiction magazines such as Weird Tales and Super Science Stories. In the 1940s, Bradbury began to be published in high-end literary and social magazines like Harper’s, the American MercuryCollier’s and The New Yorker - not typical for most science fiction writers. And to do it without losing sight of your style and genre – almost unheard of! Bradbury published short stories, series’, and novels over the coming years. In 1953 his novel Fahrenheit 451 hit the shelves – and is now regarded as one of his greatest works. It follows a futuristic world where censorship is in full force and follows the seduction of one firefighter through the world of literature. Fahrenheit 451 was closely followed by his collection The Golden Apples of the Sun, where the story inspiration for 20,000 Leagues Under the Sea was found. He followed up his works with more and more short stories, and more novels, until his later life, when he elected to turn more often towards poetry, drama and mysteries – including adapting his stories for the big screen. Despite being considered a primarily science fiction writer, Bradbury often considered his works more in the fantasy, horror and mystery genres – that he did not stay true to science fiction themes, with the exception of his novel Fahrenheit 451.

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Bradbury dated and married only one woman throughout his life – a lady named Marguerite McClure, whom he married at the age of 27 and remained married to until her death 56 years later. The couple had four daughters. Bradbury himself lived to the ripe age of 91, when he died in 2012 after a lengthy illness. His personal library was left to the public library in his small Illinois hometown – where so much of his inspiration came from.

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And now, for some book-related history!

There comes a time in every bibliophile’s life when you have to sit back, relax… and read an online blog instructing you on the history of books! Not all books are created equal (this is where you should start taking notes). Some books are newer than others, some books are flimsier than others. Some are made of pigs skin, some of human skin. (But not that many, thank god). Some are so delicate that to touch them is to risk their disintegration. And some changed the way books were bought, read, and used by the world. We speak, of course, of the modern paperback novel – on today, its 83rd birthday. 

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A paperback is defined as being a book between stiff sheets of paper or paperboard, held together by glue (more often than by stitching or staples, as would be more likely to be found on paperbound pamphlets or booklets). Though paperbound works existed long before in forms of pamphlets and yellowback copies of existing works or dime novels, the modern paperback as we know it was only recognized in 1935, when the UK’s Penguin Books released their first paperback title, André Maurois’ Ariel. Now, credit where credit is due… Penguin Books actually took over design elements initially brought forth by Germany’s Albatross Books and their paperbound book idea in 1931 (cut short by the rapidly approaching onset of WWII). 

Allen Lane, publisher of the UK's Penguin Books.

Allen Lane, publisher of the UK’s Penguin Books.

The paperback revolution, as it is sometimes called, was something bordering on the revolution that the printing press made upon its release in the world. Penguin Books offering the first selections in English, published ten titles (all reprints of existing works, of course) in a relatively short period of time. British publisher Allen Lane, who invested large amounts of capital in Penguin Books for the publication of these paperbacks, ordered 20,000 copy runs for the first titles – keeping costs low. (According to history, as long as Penguin sold at least 17,000 titles of a run, they would break even – which they did – by a long run.) The books ran cheaper than a dozen cigarettes at the time – more than affordable to the average citizen. Though at the initial onset paperbacks were considered trash by booksellers of the day, once British department store Woolworths agreed to carry the novels and they sold unimaginably well, booksellers soon changed their tune.

After all, within the first year of existence, Penguin Books had sold over 3 million copies of their titles. 

(We are only human, you know…)

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America’s Simon & Schuster began their own line of “Pocket Books”

Penguin Books were a godsend during World War II. They were small enough to be carried in the pockets of soldiers, and brought more joy to the men on the battlefield than much else available in those days. Penguin Books was not alone for long, however. Simon & Schuster was part of the initial run of the American Pocket Books label, and soon “Pocket Book” and “Paper Back” became synonymous for small, paperback books, affordable to the public. In France they began to call the books livre de poche – pocket book. No matter where you turned, paperbacks had changed civilization in the western world as we knew it. 

With the advent of the e-book, one has to ask – where do we see paperbacks in the future? Surely they still serve the same services they once did – the ability to read on the go, carry a title around with you with less weight and at a lower cost. The antiquarian book world is an interesting place – we feel a bit removed from the new advances in book reading technology. If anything, with more and more e-book reading and online activity, books should become even more collectible and valued. But what of the mass-market paperbacks that are being made every day?

Send us or comment your thoughts! 

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Celebrating Women Authors on Maya Angelou’s Birthday

We recently saw an interesting article online, detailing the “Best Female Authors” of all time. On this, what would be Dr. Maya Angelou’s 90th birthday, we would like to channel her inner strength and power as a leading poet, singer, memoirist, and civil rights activist and honor some of the most famous female authors of all time.

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Top Twenty-Five Female Authors of All Time in One Sentence or Less

Followed by the First Sentence or So Found about these Powerful Ladies on the Internet (A Rather Fascinating Social Experiment, No?)

(Obviously Debatable, but these names are based on Book Sales and those found to be Classics Today)

Jane Austen:an English novelist known primarily for her six major novels, which interpret, critique and comment upon the British landed gentry at the end of the 18th century.”

Virginia Woolf:an English writer, who is considered one of the foremost modernist authors of the 20th century and a pioneer in the use of stream of consciousness as a narrative device.”

Charlotte Bronte:is one of the most famous Victorian women writers, only two of her poems are widely read today, and these are not her best or most interesting poems.”

Agatha Christie:Lady Mallowan, DBE was an English writer. She is known for her 66 detective novels and 14 short story collections, particularly those revolving around her fictional detectives Hercule Poirot and Miss Marple.”

Mary Shelley:an English novelist, short story writer, dramatist, essayist, biographer, and travel writer, best known for her Gothic novel Frankenstein: or, The Modern Prometheus (1818).”

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Louisa May Alcott:was born in Germantown, Pennsylvania on November 29, 1832. She and her sisters Anna, Elizabeth, and [Abba] May were educated by their father, teacher/philosopher A. Bronson Alcott, and raised on the practical Christianity of their mother, Abigail May.”

J.K. Rowling:is the creator of the Harry Potter fantasy series, one of the most popular book and film franchises in history.”

George Eliot (Mary Anne Evans):was an English novelist, poet, journalist, translator and one of the leading writers of the Victorian era.”

Emily Dickinson:is one of America’s greatest and most original poets of all time.”

Sylvia Plath:was one of the most dynamic and admired poets of the 20th century.”

Toni Morrison:American writer noted for her examination of black experience (particularly black female experience) within the black community.”

Margaret Atwood:is a Canadian poet, novelist, literary critic, essayist, inventor, and environmental activist.”

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Elizabeth Gaskell:often referred to as Mrs Gaskell, was an English novelist, biographer, and short story writer.”

Willa Cather:established a reputation for giving breath to the landscape of her fiction.”

Dorothy Parker:was an American poet, writer, critic, and satirist, best known for her wit, wisecracks and eye for 20th-century urban foibles.”

Gertrude Stein:was an American author and poet best known for her modernist writings, extensive art collecting and literary salon in 1920s Paris.”

Ursula Le Guin: an “immensely popular author who brought literary depth and a tough-minded feminist sensibility to science fiction and fantasy with books like ‘The Left Hand of Darkness’” 

Isabel Allende:s a Chilean-American writer. Allende, whose works sometimes contain aspects of the genre of “magical realism,” is famous for novels such as The House of the Spirits (La casa de los espíritus, 1982) and City of the Beasts (La ciudad de las bestias, 2002), which have been commercially successful.”

Edna St. Vincent Millay:received the Pulitzer Prize for Poetry in 1923, the third woman to win the award for poetry, and was also known for her feminist activism.”

Mary Wollstonecraft: “an English writer and passionate advocate of educational and social equality for women.”

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Alice Walker:is a Pulitzer Prize-winning, African-American novelist and poet most famous for authoring ‘The Color Purple.’”

Maya Angelou:an impactful civil rights leader who collaborated with Martin Luther King Jr. and Malcolm X during the Civil Rights movement. “

Judy Blume:spent her childhood in Elizabeth, NJ, making up stories inside her head. She has spent her adult years in many places, doing the same thing, only now she writes her stories down on paper.”

Betty Friedan: “a leading figure in the women’s movement in the United States, her 1963 book The Feminine Mystique is often credited with sparking the second wave of American feminism in the 20th century.”

Thank you to these powerful, courageous and wonderful writers for their influence on female empowerment!

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