This past weekend saw the 53rd California International Antiquarian Book Fair held in Pasadena. We gave Vic and Samm a few questions to ruminate on while experiencing the fair and their responses don’t disappoint! This fair was also a bittersweet occasion as our Master & Commander Vic Zoschak Jr. ended his two year tenure as President of the Antiquarian Booksellers Association of America (or the ABAA) while there. See how they felt about the state’s biggest book fair below!

Q: So another year, another ABAA fair! How did you two feel going into this 2020 Pasadena Antiquarian Book Fair (or the 53rd California International Antiquarian Book Fair, to be precise)?
V: Actually, we took a beating at fairs in 2019, so there was a bit of trepidation as we approached this first one of 2020. Nevertheless there never was any question as to whether we would exhibit, as it’s the ABAA California fair, and I want to support our local chapter’s efforts.
S: As Vic mentioned above, our fairs in 2019 were rough to say the least. I, too, was a bit “on edge” about how things were going to go – after all, book fairs can make or break your month, or even your season. Luckily though, this book fair – first of the new year – was a great start!
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Q: What all did you focus on bringing this year? How were sales?
V: There were two themes for the fair: celebration of the vote for women, and Ray Bradbury. We focused on the former, and everything found in our booth had some connection to women, be it as author, illustrator, character, printer, owner, or whathaveyou.
Happy to report sales were steady throughout the weekend, though without that one [or more] blockbuster transaction that would have propelled us into the ‘excellent fair’ category. But compared to 2019 fair results… night-n-day.
S: I would say our booth was 90% items by women – which we really enjoyed putting together as a tribute to this year’s fair theme, celebration women’s suffrage. Though of course we could not leave out our main man, Charles Dickens, and found a way to incorporate him into our mix as well!
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Q: How would you say this Pasadena fair equates with previous Pasadena fairs?
V: Better, see above.
S: Once again, I must agree with Vic. It was better. We also tried something new this year – as we had two main, lighted display cases – which while beautiful can also make people feel a bit too timid when it comes to inquiring about an item. Therefore, we also had several boxes of items in mylar sleeves out in our booth. People seemed much more intrigued by this concept as they were able to flip through and pull items out and touch them in a more accessible manner. I truly believe this helped make our booth a bit more “shoppable”.

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Q: How would you say it holds up in comparison with the Oakland fair? Obviously the Oakland fair is a bit easier for us, but in terms of customers and purchases is there a markable difference?
V: Well, this a difficult comparison… I think our Pasadena booth location this past weekend contributed significantly in our results. Our Oakland location was not so positioned. We’re hopeful for 2021 this changes, especially since, in 2021, John Knott & Tavistock Books plan to have adjoining booths, where we’ll open things up & have a larger, more visible footprint in the aisle.
S: Yes, a comparison between the two is a bit tough as, especially for us locals the Oakland fair is much easier! We are able to bring more items… and I can sleep in my own bed (huge plus)!

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Q: Samm, how was this Pasadena fair for you? This is your second ABAA fair, right? What was your favorite experience down in Southern California?
S: Set up went relatively quickly, so I had some free time to go to the norton simon museum with a colleague! sometimes its good to break away for a bit. but overall the fair was good, met and chatted with several new institutions about what collections they are building and how we can assist. there were some critiques i was hearing from others but i felt it was a really nice fair and a lovely time down in Pasadena!

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Q: Vic, how did you feel heading towards the end of your Presidency of the ABAA? Did that play any part in this fair?
V: Yes, my term as President concluded with the ABAA’s Annual meeting this past Sunday morning. As President, I feel like I personally experienced aspects of Einstein’s Theory of Relativity [as I understand it], which is to say, the two years went by in a blink of an eye, but some days dragged on interminably! lol
My successor is Brad Johnson, in whom I have unwavering confidence that he will successfully meet all the future challenges the Association may face. And let me again, in this forum, give a shout-out to Brad, who tremendously surprised me with a parting gift… a San Francisco Giants jacket!* OMG, I was blown away. Brad, thank you!

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Q: What’s next on the agenda for you both? Perhaps some to catalogue, we hope!
V: To be honest, I’m not sure what I will do with the time I regain in my schedule… maybe catch a few more Giants games while sporting my wonderful new jacket! 🙂
S: And while Vic is enjoying those Giants games, I will be working on a catalogue! Also, if you find yourself in the area next month, please come and see us at the Sacramento Antiquarian Book Fair on Saturday March 28th!
Thanks, you two! Samm is right… onto the next!
Some more photos from this year’s fair:


President out. (Cue mic drop.)












The two attended the University of Marburg together, where they tried to study law. I say “tried”, because here the brothers once again met adversity due to their reduced social status. Treated as outcasts, without the benefit of receiving financial aid or stipends as some of the wealthier students received (explain THAT one, if you can), the brothers once again turned to each other for comfort and worked hard in their studies. It was at the University of Marburg that the pair first became interested in medieval German literature and more simplistic, romantic ways of writing that the modern day seemed to have forgotten. This interest in folklore and poetry and traditional “German” culture influenced the brothers for the rest of their lives. They wished to see the unification of the over 200 principalities into a single, unified state, and spent much of their time with their inspiring law professor Friedrich von Savigny and his friends. It was through these romantics that the Grimm brothers were introduced to the literary beliefs of Johann Gottfried Herder – a German philosopher who felt that literature of the area should revert back to simplicity, and focus more on nature, humanity and beauty. The boys credited their devotion to their studies in Germanic literature and culture as a saving grace in a dark time – outcasts amongst their peers. Wilhelm himself wrote, “the ardor with which we studied Old German helped us overcome the spiritual depression of those days.”
The brothers did not immediately turn to transcribing Germanic folklore for the masses. As they were solely responsible, as the oldest boys (primarily Jacob) of the family, for their sibling and mother’s livelihood (because that’s what they needed… more stress), Jacob accepted a job in Paris as assistant to his once-professor (von Savigny). On his return to Marburg he gave this post up to take a job with the Hessian War Commission. Their circumstances remained dire – as it seemed almost impossible for Jacob to support them all on his own. Food was often scarce and the brothers suffered emotionally. In 1808, Jacob found a more appropriate (to his interests) job as the librarian to the King of Westphalia, and soon after went on to become the librarian in Kassel, where the two boys had attended their gymnasium (high school, for all intents and purposes). Jacob supported his siblings once their mother passed away, and he even paid for Wilhelm to receive medical attention that year to seek treatment for respiratory problems. After Wilhelm’s recovery, he joined his brother as a librarian in Kassel. 
After being slighted for a job promotion, the brothers eventually moved to Göttingen where they became professors of German studies at the University (Jacob also as head librarian), and continued to write and publish works on Germanic folklore, mythology and country tales for a few years. The brothers moved to Berlin in their later years, working at the University of Berlin and also editing their German Dictionary, which would become one of their most prominent works. 







Yes, over the years, I’ve often been referred to as “Mr Tavistock”, but the name actually, rather than being my surname, has a [small] Dickens connection…
William Blake was born on November 28th, 1757 in Soho, London. He was the third of seven children (though two of his siblings died in infancy). Though his family were English dissenters, it did not stop Blake from being baptized and having a thorough biblical education – knowledge which would prove to be quite inspirational in his work later in life. Blake’s artistic side surfaced when he began copying drawings of Greek antiquities given to him by his father. It was through these copies that Blake was first introduced to works by Michelangelo, Durer and Raphael. By the time Blake was ten he had completed his formal education and was able to be sent to a drawing school in The Strand – where he not only read and avidly studied the arts but also made his first foray into poetry.
At the age of fifteen, Blake was apprenticed to an engraver in London and upon his completion of his apprenticeship became a professional engraver at twenty-one. The following year, Blake became a student at the Royal Academy where he studied over the years and submitted works for exhibition. Though he disagreed with the views held by the headmaster of the time and favored more classical art rather than the popular oil paintings of the age, Blake used the years to make friends in the art world and perfect his own skills. He printed and published his first collection of poems, Poetical Sketches, around 1783, and opened up his print shop with fellow apprentice James Parker in 1784. Blake began to associate with radical thinkers of the time – scientists, philosophers and early feminist icons like Joseph Priestly and Mary Wollstonecraft. Blake spent the 80s experimenting with different kinds of printing, finally moving onto relief etching in 1788. Relief etching (also called illuminated printing) would be a medium Blake would continue to use in printing his works throughout his life. In this medium, color illustrations were able to be printed alongside text. Blake has become well-known for his illuminated printing, but throughout his life he was also known for his intaglio engraving – a more standard process of engraving at the time.





When I started doing fairs back in the early 90s, book fairs were an opportunity for collectors to see a bunch of material they may not otherwise have access to.







