As Antiquarian Booksellers, we are intimately familiar with book fairs. For those of you who have never attended such a fair before, we highly recommend it. For collectors and bibliophiles, scholars and tradesmen alike – book fairs are a wonderful place to get a feel for our world. All sellers bring a variety of items, and you can make note of who has items of interest to you and research them further. It is a wonderful place to make contacts with like-minded souls and spend time talking books. Tavistock Books has now been in business for decades, and we like to think that our fearless leader, Vic Zoschak (who also happens to be the current President of the Antiquarian Booksellers Association of America – the ABAA) has a fair amount of experience in this field. We share with you a mini Q&A with him and his thoughts on the past and the future of the antiquarian book fair.

Photo courtesy of Fine Books and Collections magazine.
Vic, Thanks for answering our questions. We’ll get right to it – what changes have you witnessed in antiquarian book fairs over your many years in the trade?
When I started doing fairs back in the early 90s, book fairs were an opportunity for collectors to see a bunch of material they may not otherwise have access to. There used to be lines around the block awaiting entry to the fair. No more. Remember, then, there was not widespread internet access… so no searching 20,000 bookstore inventories with a click of the mouse. Today, a collector, or just an individual searching for a given book, need not attend a fair to look for material. Today, when buyers search for their title on vialibri.net, they search the inventory of 20,000 booksellers. That’s an unprecedented access to inventory that has not been possible at any other time in bookseller/book buyer history. What that means for fairs is that most regional fairs have gone by the wayside…. in those early 90s, on the West Coast, I did 20+ book fairs a year. Now, 3. The local/regional fairs just don’t bring in the number of buyers that they used to. And if exhibitors don’t sell books at the fair, they won’t come back. Today, it’s my opinion, that a book fair needs to be an *event*, perhaps coupled with other *events* that same week. The ABAA book fairs are trending in this direction… not only will a potential attendee have the book fair to attend, but also events offered by sister organizations, like the Grolier Club, or the Book Club of California, or the Ticknor Society. As I think about them now, in response to your query, I think fairs are a somewhat endangered species…. continuing to exist, but in a fragile state and in need of attention.
How are the fairs different for you now as President of the ABAA?
Well, here there is, in fact, a challenge that faces the ABAA… our New York Fair, and our California fair, are too close together on the calendar. There’s a long back story there that brought this to pass, much too long to recount here, but suffice it to say, there’s no easy solution. I only wish, as President, I had a magic wand to fix it. But I don’t, so it’ll be a significant issue that my successor will, hopefully, be able to resolve.

Vic at a recent Seattle Antiquarian Book Fair.
What fairs that you attend (New York, LA/San Fran, Boston, Seattle, Sacramento) have stayed the same throughout the years and which have changed? Have they changed for the better?
I now only exhibit at 3 a year: Sacramento [local, one day, and easy to do], as well as the ABAA CA fair [this coming year in Socal, Pasadena]. But I do attend, as a visitor, all ABAA fairs, which means I’ll be heading to Boston in a week. This year, I also exhibited in Seattle, which was fun, but not particularly remunerative, so it’s a question mark for 2020.
Re: change? Here I have to give a shout-out to Jim Kay, the Sacramento promoter. He’s kept that local fair alive and vibrant. And I also want to give a shout out to the local ABAA book fair committees – Boston, NY & California – who have the task of keeping our ABAA fairs alive & well. In this challenging economic environment, they are doing a bang-up job in my opinion. They have evolved to meet the needs of the current book collecting milieu.

A shot from the New York ABAA fair, photo courtesy of LitHub.
How do you see antiquarian book fairs faring (pun intended) in the future?
I think we’ll be fine, especially if we continue to market our fairs as ‘events’. Give people more than one reason to attend. There’s a lot of competition for an attendee’s time & money; let’s make our pitch for our fairs be one that compels.
Amen to that! Keep the book fairs coming, people.








In the summer of 1816, Shelley befriended one of his first powerful and influential authors – Lord Byron. Percy and Mary spent a season with Byron in Switzerland – the summer ended up being one of the most important of Shelley’s life. Byron helped inspire the young radical, and Shelley wrote his romantic poem Hymn to Intellectual Beauty after an afternoon with Byron. It was during this summer, funnily enough, that Byron’s guests and friends were inspired to have a horror write-off. This writing competition of sorts was the inspiration behind Mary Shelley’s Frankenstein. Upon their return to England at the end of the year, it was discovered that Shelley’s wife, Harriet, had committed suicide. As unfortunate as the event was, it incited Shelley and Mary to finally marry. The two settled in a small hamlet in Buckinghamshire, where they befriended poets John Keats and Leigh Hunt – both of which would prove to be invaluable friends to Shelley in his last years. It was in these years that Shelley wrote and published a bulk of his most well-known works, including The Revolt of Islam and Prometheus Unbound, the latter of which is widely considered to be his most beloved epic work.

So said the Little Prince – an absolutely beloved character in the canon of Western Literature. Antoine de Saint-Exupéry wrote this story, a children’s story on the outside and a very adult study of human nature and morality on the inside. Saint-Exupéry, a French national, had fled Europe at the onset of World War II and wrote much of his tale during his 27 week stay in North America and Canada. Now normally we would do a blog on Saint-Exupéry’s life story and how he came to write such a popular and precious children’s tale, but today we are speaking of a specific day in this author’s life… the day he disappeared from the skies.
Unfortunately, 







For those new to RBS, things kick off Sunday afternoon, 5ish. There’s a reception, a Michael Suarez welcome speech & restaurant night. The latter an opportunity for ~ 10 students to share a meal at one of the local ‘Corner’ restaurants, in my case, Lemongrass Thai. Wonderful food, wonderful company!








Eric Carle was born on June 25th, 1929 in Syracuse, New York, but his family originally being from Germany they moved back there and he was educated in art in Stuttgart. His father was drafted into the German army at the beginning of WWII, and eventually taken prisoner by Soviet Forces. Carle himself was also conscripted by the German government at the age of 15 to spend time with other boys his age building trenches on the Siegfried Line. Throughout all this time, Carle dreamed of returning to the United States, and finally, upon turning 23 he moved back to New York City with only $40 to his name. Carle was able to land a job as a graphic designer at
It was at this agency that author Bill Martin Jr. spotted a lobster Carle had drawn for an advert illustration and Martin decided to ask Carle to collaborate with him on a book for children – the result of which is one of Carle’s best known works… Brown Bear, Brown Bear, What Do You See? was published in 1967. The book was an immediate success for Martin (who authored the story) and Carle, and in relatively short time it became a best-seller. This popularity jump-started Carle’s career in books, and within just two years he was both writing and illustrating his own.




Gilbert Keith Chesterton was born on May 29th, 1874, in Kensington, London. His childhood is not elaborately researched, but we do know that he was born to a family of Unitarians, and as a young man was interested in the occult and regularly played (or practiced) with a Quija board with his younger brother (and only sibling) Cecil. He was educated at St. Paul’s School in London, but instead of continuing on to a university as you might have expected, Chesterton attended the Slade School of Art in London – in hopes of eventually becoming an illustrator. Though at Slade Chesterton took lessons in both art and literature, Chesterton left without a degree in either!
When Chesterton was 27 years old, he married Frances Alice Blogg – an author herself, who would prove to be a major influence on Chesterton’s writing and religious life throughout the years. As www.chesterton.org mentions, Frances was in charge of all aspects of Chesterton’s life – kept his schedule for him, kept house, and kept him in check. According to the site, Chesterton often “had no idea where or when his next appointment was. He did much of his writing in train stations, since he usually missed the train he was supposed to catch. In one famous anecdote, he wired his wife, saying, ‘Am at Market Harborough. Where ought I to be?’” To which Mrs. Chesterton would almost inevitably respond with “Home.” The Chesterton’s were perhaps the epitome of the phrase “Behind every great man is an even greater woman.”
