Category Archives: Antiquarian Books

Gourmets, Drunks & a (Short) History of Cookery Books

Tavistock Books’ recent acquisitions contain a large focus on Cookery titles. Not only have we recently had in stock the cookbook with the 1st English Language recipe for tacos, but also The Cook’s Oracle, the first cookery book published out of Stockton, California (a more exciting purchase than you might think, which generated enthusiasm from around the country). The influx of interest in the food genre persuaded us to write this short, slightly perverse and tongue-in-cheek history of Cookery Books.

 

The Roman Gourmet

An error of 19th c. scholarship attributed the work API CAE to an "Apicius Coelius", but modern scholarship shows that the name is almost certainly Marcus Gavius Apicius.

An error of 19th c. scholarship attributed the work API CAE to an “Apicius Coelius”, but modern scholarship shows that the name is almost certainly Marcus Gavius Apicius.

We can assume that the first person to ever cook something (let’s face it… most likely a woolly mammoth or something equally as strange) probably did it completely accidentally – perhaps by dropping their meat on an open flame and deciding to eat it anyway. Lo and behold! It’s so much better when it isn’t dripping blood on you! (Unless it’s steak tartar, which I highly doubt cave men had, but what do I know?) The first cookery book and collection of recipes known to man is a work falsely attributed to Marcus Gavius Apicius (falsely, as the surviving copy dates from the 4th or 5th century AD, and Apicius lived in the 1st, but that’s a whole different can of worms and I don’t really feel like going into it), a Roman gourmet and lover of food in the time of the Emperor Tiberius. Though impossible to prove his connection to the cook book “Apicius” (yet quite obviously named in his honor), it should be understood that this man was quite possibly the most food-obsessed person in the world. Legend has it that Apicius poisoned himself after realizing with horror that out of his fortune of some hundred million sesterces, he was down to his last million – having spent the majority on lavish feasts and immense amounts of food and drink. With the “prospect of starvation before him,” the Roman gourmet ended his life. Now that is devotion to the art of cookery!

Though M. G. Apicius is not the author of the 4th/5th century work API CAE (a title on the famous manuscript of the cook book), it is said that he did produce cookery recipes in his time, and gave many tips & hints in the art of cooking to those in his inner circle. It is said that Apicius himself developed a way of producing pork liver, in a similar fashion to how goose liver was served at the time. The name “Apicius” has been attributed to several gluttons (I mean “foodies”) since, with at least 3 in Ancient Rome alone.

 

The Grotesque Middle Ages

In preparing for this blog article, I read Old Cook Books, An Illustrated History by Eric Quayle. It is recommended that everyone read this book, as it is filled to the brim with fun anecdotes about the history of cooking and writing about it. BE WARNED, however, that you shouldn’t read the first few chapters when about to eat, when thinking about eating, or just after eating. Maybe read it when you’re on some kind of juice cleanse. Not only did the recipes included for Grilled Womb, Boiled Parrot & Stuffed Dormice pretty much determine that I was going to be drinking water for dinner after, but Quayle’s description of feasting in the Middle Ages was, to me, positively disgusting.

She really loves her life right now.

She really loves her life right now.

Apparently in the Middle Ages everyone was obese and drunk all the time, and it was a competition to see who could walk away from the feasting area without passing out in their dishes. You know what? I’m not doing it justice. Let’s quote some of Quayle’s write-up on Medieval feasts, shall we? (Just remember what I said about not eating at this time, you’ll thank me later). “In Medieval days, the banquets and feasts enjoyed depended for their success almost entirely on the ravenous appetites and unrefined palates of the unwashed mobs that thronged the rough-hewn tables… The over-filling of empty bellies and the immediate allaying of pangs of hunger… were the prime objectives of the sweating cooks and minions who dished out the helpings… Anything even remotely edible had been tossed into these same cauldrons… in the background, the spits turned with their heavy carcasses, dripping with fat, before glowing fires of heaped-up logs. When the revels commenced, immense quantities of food and strong drink were consumed at a single sitting, the plates being scooped clean in greasy handfuls as each new course arrived… The less stalwart were the first to go, as many collapsing across the tables as slid beneath them. Great pride was taken in being the last to submit” (Quayle, Ch. 2). In translation… everyone was plastered and unsightly in the Middle Ages and it wasn’t half as sexy as TV makes it out to be.

This quote had basically nothing to do with this blog subject, it simply pleased me to force you all to share my current pain. Let us return to the matter at hand. It was in the Middle Ages that the first work of cookery in English is known to have been printed. The Boke of Cokery, printed by Richard Pynson in 1500, is known in only 1 copy throughout the world (at the Library of the Marquess of Bath). This work not only gives the reader recipes for use at feasts or in an aristocratic household, but is a historically significant work. Pynson, possibly with the help of others, details many royal feasts that allow us 21st century minions to know exactly what was served to King Henry IV with the Spaniards and Frenchmen as they jousted in Smyth Felde! This noteworthy work, the first of its kind in the English vernacular, opened a door for publishing English-language recipe books – a genre that has remained popular ever since.

 

Cook Books in the United States when it was Not the United States Yet

Our 1796 edition of the states' early work, "The Frugal Housewife."

Our 1796 edition of the states’ early work, “The Frugal Housewife.”

The idea of printing recipes in a book only grew in popularity with this publication from Pynson in 1500. Once printing for the masses became commonplace, cookery books entered the fray same as political broadsides and religious prayer books. The earliest American Cookery Book (to our knowledge) was printed in 1742, before the United States had broken away from our meat pie loving friends (Still bitter about this… I love meat pies). This book, entitled The Compleat Housewife; or, Accomplish’d Gentlewoman’s Companion was printed in Williamsburg and was a publication of the original British work printed in 1727 of the same name. Other early cookbooks were to follow, in 1762 with The Cyder-Maker’s Instructor, Sweet-Maker’s Assistant, and Victualler’s and Housekeeper’s Director and The Frugal Housewife, or Complete Woman Cook in 1772 (which, oh, we happen to have a copy of for sale!). These books have, in actuality, exceedingly long titles (as was common for books – see Eleanor Lowenstein’s Bibliography of American Cookery Books 1742 – 1860 to view full write-ups) that describe the multitude of foods whose recipes you will find inside their volumes (pastries, soups, stews, creams… even methods of roasting, boiling, frying, potting, preserving, candying and pickling). These all-around instruction manuals were important to the ladies of early American households, as help with recipes or household chores could be difficult for some early communities to find when in remote areas.

 

Charitable Cooks in the later 19th and early 20th Centuries

Let’s skip ahead a few hundred years (because continuing down this road will only ensure that you will all end up passing out on top of your desks… or under them, apparently), to the 19th and 20th centuries of “Charitable” Cooks and their publications. Cook Books began to be readily available to the average civilian in the later 19th century, as the literacy rate grew and cook books were written for chefs in average households, not purely for aristocratic or wealthy ones. In America in the 1860s, the first fund-raising “receipt books” were compiled and sold at Sanitary Fairs held to raise money for military casualties and their families during the Civil War. This idea of publishing cook books to raise money for the war effort spread like wild-fire. After the war came to an end, the Ladies’ Aid Societies around the country found a myriad of other local charities to devote their efforts to – hospitals, churches, schools, temperance organizations, etc. Throughout the United States, benefit cookery books continued to be printed well into the 20th century. As Margaret Cook states in her foreword to America’s Charitable Cooks: A Bibliography of Fund-Raising Cook Books Published in the United States, “Though the recipes in early locally-published cookery books are often amateurish, they reflect the cooking fashions of the period in various parts of the United States more accurately than the standard works by professional authors… the great fascination of these early regional cookery books for collectors and local historians is their elusiveness” (p. 7). Charitable cook books in California alone make up the 359 titles in Liselotte & William Glozer’s compilation California in the Kitchen – proving their immense popularity as the hundreds of titles extend merely from 1870 to 1932. Seldom copy-righted, these amateur cook books present a window in time to the average American household fare – and ought to be cherished as such!

Tavistock Books has just issued a Cookery List, full of Charitable Cook Books, Cookery Advertisements, Pamphlets, Brochures, Cookery Education – the whole nine yards – to a handful of cookery customers. If you would like to receive this list privately, please contact Margueritte at msp@tavbooks.com. We promise… there are no recipes for Grilled Womb anywhere in those titles.

(However, if you’d like us to scan that recipe and send it to you, that is a definite possibility – and we promise not to tell TOO many people what you’re having for dinner.)

The same recipe can be used for flamingos?!?! Well why didn't you say so before??

The same recipe can be used for flamingos?!?! Why didn’t you say so before??

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On Identifying Photographic Prints and the History of Early Photography

 Photographic Prints in an Antiquarian Bookshop

Without a doubt, every antique store and flea market from California to New York somewhere has a box of photographs – black and white, early Kodaks, or even tintypes… often warped, mirrored, faded – if you are reading this blog it is assumed that at some point or another your interest in antiquarian books and materials has drawn you to such an establishment, and you have at least fingered through a box of photographs labeled “.10 each or 15 for $1.00”. Why is it, then, that those photographs are (seemingly) worthless, while there are photograph albums offered by booksellers with the same types of prints for thousands of dollars? As with all things antiquarian – provenance, condition and interest levels dictate the differences between a bin full of late 19th century silver-gelatin prints and an album full of un-faded, unaltered albumen photographs.

 

Photography in the Early 19th Century

William Henry Fox Talbot in 1864

William Henry Fox Talbot in 1864 by Moffat.

The name William Henry Fox Talbot is known throughout the world as a British inventor, author and photographer of great significance. Talbot claimed experiments in photography as early as 1834, and in 1841 announced his invention of the calotype (also called the Talbotype) process, a process that reflected the work of many of Talbot’s predecessors, such as John Herschel and Thomas Wedgwood. One of Talbot’s main contributions to this fledgling art included creating a photographic image through the use of a negative from which a positive print could be made (though those terms were previously coined by Herschel, Talbot demonstrated the technique with ease). Talbot’s early discoveries culminated in his pioneer finding that silver chloride was the silver compound “most suitable for photographic printing, and to discover how to use it most effectively” (O’Reilly, p. 1). Talbot’s negative to positive printing could also be said to be one of the most important inventions in the field of photography as it allowed the photographer to create numerous prints off of a single negative, simply by exposing more paper to the image. As you will see later, other early forms of photography (such as the popular Daguerreotype process), were not able to form several images from a single exposure.

Now, the art of photography has developed significantly since Talbot began his experiments in rural England. If this blog were to describe every type of photographic print process and the differences and nuances between them all, we would quickly lose the followers we have so far gained. Suffice to say, the history of photographic prints is as diverse and intricate as any popular invention might be. Unfortunately, identifying photographic prints is particularly difficult for the untrained eye as even the slightest changes in the process (and in the final product) can be difficult to observe if you are not sure what to look for.

 

Identifying Photographic Prints in the Late 19th and Early 20th Centuries

Photography in this time falls into two distinct categories, True Photographs and Photomechanical Prints. Photomechanical Prints are images not formed directly from exposure to light or from a negative, and are rather more often “mass-produced.” These mechanical techniques include Halftone Illustrations (which some may recognize by their dotted appearance when viewed with a scope) and Photogravure, among others. These prints, while still able to be artistic and popular in their own right, are not usually as desirable as True Photographs when it comes to collectors and institutions. True Photographs encompass many other types.

Evidence of Silver Mirroring is seen in the darker portions of this image (IPI).

Evidence of Silver Mirroring is seen in the darker portions of this image (IPI).

True Photographs include, as stated, many other processes. Some of their results may sound familiar, some not so much. Salted Paper Prints, Cyanotypes, Platinotypes, Albumen Prints, Gelatin and Collodion Printing-Out Papers, Gelatin Developing-Out Papers… all of these, despite their somewhat extreme differences, are examples of True Photographs. They are placed into categories depending on characteristics such as the appearance of their paper fibers, their hues, and, most interestingly, their condition. Signs of fading, mirroring (the slight silvery hue to the darker areas of the photograph due to silver oxidation), warping and cracking can all contribute to telling the difference between the many types of “true” photography.

 

Curious about an image you have? Try http://www.graphicsatlas.org/ to help you identify your items.

 

Photography as a Popular Pastime
A typical Albumen Cabinet Card

A typical 19th century Albumen Carte-de-Visite.

The Daguerreotype studio boomed early in the photographic print age in the mid 1800s. Other early photographic processes included the Salted Paper Print and the Albumen Print. Albumen Prints were quite possibly the most popular type of photographic process, as they are the most widely found today. Around the 1860s and 1870s a certain type of photographic style emerged, a Carte de Visite (quite literally, a Visiting Card) that was traded between friends and family, and most notably took the place of the general “Calling Card” that social guests would deliver to households they stopped in to see. Along with these Cartes de Visite and their cousins “Cabinet Cards”, photography moved into an age of cabinet cards and other studio portraits. Silver gelatin and Matte Collodion Printing-Out Papers and Developing-Out Papers (whose main differences lie in the process by which the image appears – DOP images appear during chemical development, whereas POP images appear on their exposure to sunlight) were quite popular as forms of portraiture, and were also some of the most popular forms of photography for the average civilian to produce at home.

 

Photography in Books

The first book ever to be illustrated through the photographic process was produced by none other than William Henry Fox Talbot, with his book The Pencil of Nature, published in 1844 with his own calotypes pasted into the book. The text within the book details Talbot’s calotype process used for each individual photograph. Each photograph within Talbot’s work were laid in and pasted by hand, not to mention taken and developed by the inventor as well. Though the book was less popular than Talbot expected, it paved the way for an idea that (eventually) became a bit of a phenomenon – illustrating books with photographic prints. Despite the fact that many “jumped on the bandwagon” and illustrated works with photography in mid-to-late 19th C, “in many traditional libraries the illustrations to a book, and its illustrator, were often placed in a role secondary to the author – even in situations when the illustrations were the dominant concern of that work” (Johnson, Nineteenth-Century Photography). This is no longer so. The book trade often sees works collected solely for the photographer or the images represented within a work, the text often being of little to no concern to such a collector.

One of the photos included in Talbot's "Pencil of Nature", published in 1844

One of the photos included in Talbot’s “Pencil of     Nature”, published in 1844.

Photograph albums, on the other hand, can be a different story. Eugenia Parry Janis writes “A love of subject matter leads the bookseller to photographs. He is satisfied to present photographic discoveries which have engaged his attention as they act in collaboration with needs of descriptive science, exploration, documentation or poetic evocation. It is a special quality of photographs to be able to enter into reciprocal relationships with words… The most discriminating private collections of photographs today owe much to booksellers’ at times obsessive, and even indiscriminate salvaging and rescuing of photographs destined for the incinerator. Photographs were not saved because they necessarily conformed to prevailing standards of beauty; they were saved for the richness of what they presented.” (Charles B. Wood III, Catalogue 37). Therefore, when looking through photographic albums, individual photographs, and books illustrated with photographs, it is a great find when the photos are in impeccable condition. However, more often than not, photographs are collected for what they represent – a moment in history, a fashion style, an area of the world, a political event – rather than because of their condition and artistic beauty.

In a catalogue later this month we will offer examples of all of the above – individual photographs, photo albums, and books illustrated with true photographs. Featuring a wide range of subjects, from military bases to train catalogues to family vacations, there is certain to be something of interest to everyone.

*The only reason we at Tavistock Books know any of this information on Photographic Prints is from taking James M. Reilly and Ryan Boatright’s course on these processes at University of Virginia’s Rare Book School. A fair warning – this has been a highly condensed and extremely terse outline in comparison to their course, a course officially endorsed by Tavistock Books!

Photo-WHFTalbot

 

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Tavistock Books’ Almost-Annual Reference Book Workshop

There is a significant difference between booksellers who advertise their wares with professional descriptions, a clear understanding of the item in question, an honest assessment with regard to the item’s condition… and your typical eBay/Amazon blasters: “FREE SHIPPING! May or may not have highlighting and/or missing pages.” The pride in being a Good (or VG+) bookseller comes from the ability to sell something about which you are knowledgeable and which is priced confidently and accurately.

Oftentimes, as booksellers, we hear the question “Why?” Why is this book worth $495? Why would I pay that much for a book which Joe Shmoe, Bookseller offers for $29.99? There is no shame in asking these questions. Even booksellers can look at their colleagues’ wares and stare confusedly at the screen while waiting for the computer to sprout tiny-computer legs and giggle, while simultaneously erasing that last 0 or two. All that being said, however…. what can give booksellers the ability to price confidently and describe accurately? Two words.

Reference Books.Reference Books

If you are reading this blog, there is a good chance you have looked at listings of antiquarian books before and have noticed some crazy notations in our write-ups. What is a BAL11092? Or a Gabler G2390? An average person has a good chance of not particularly understanding what the numbers mean. Heck, another bookseller might not even have a clue to what you are referring. A good bookseller will know, however, that the inclusion of those small jumbles of letters and numbers beyond their edition statements represent the dedication and honesty of the person offering the item. They have gone to the trouble of understanding what they hold in their hands, so that their customer can have the guarantee and peace-of-mind that they are buying a 1st/1st, a 1st edition thus, or a reprint. What allows a reference book to (sometimes) up the price or (often) lower the price? Well… I guess you’ll just have to take the Tavistock Books’ Reference Book Workshop to find out!

This year’s course took place this past Saturday, the 23rd of August. The day-long course consists of an intense look at different genres of reference books, their scope, and their usefulness to the book-selling, book-collecting and book-cataloguing trades. Sections covered include Literature (do the acronyms NUC or NCBEL mean anything to you? Here’s where you will find them explained!), Americana (with an emphasis on Western Americana & California… can you say Kurutz three times fast?), Children’s Books, Early Printed Books, and Online Reference Tools. This course is a fast-paced survey, useful for any bookseller, collector, or librarian interested in understanding the tools booksellers use to identify and price their books.

Workshop 2014

This year’s workshop was attended by 4 booksellers (some new, some slightly seasoned), two librarians, and a lover of all things book-related. Intelligent questions were asked, anecdotes shared, and quite a bit of knowledge imparted on these smiling (though, by the end of the day, slightly haggard) faces. Due to the limited amount of space in the shop (where the workshop is held), we cap the number of “pupils” at 7 per year. Should you be interested in attending, please email msp@tavbooks.com and ask to be included on our mailing list, so that when the reminder comes about next spring to sign up, you can be first on the list!

The workshop truly is helpful to those dealing with the book-trade, and the Tavistock Books Reference Collection of over 3,000 reference volumes alone are worth the trip to see! And, as per tradition, lunch is on us at a great sushi place on our charming island of Alameda, CA. Interested in attending a workshop one day? Let us know!

 

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Charles I and the Undoing of the Vintner’s Company

On September 29, 1639, the Red Bull players found themselves on the wrong side of the law. They’d recently performed The Whore New Vamped, whose author has since faded into obscurity. The play satirically alluded to the new duties on wine, which were instigated by Charles I but supported by few members of the Vintner’s Company of London. In a government statement, the players were accused of having “in a libellous manner traduced and personated some persons of quality and scandalised and defamed the whole procession of proctors belonging to the court of the civil law.”

William_Abell

Willam Abell

The New Whore Vamped pokes fun at William Abell, an alderman of London and Master of the Vintner’s Company of London. Abell spearheaded the effort to move the Vintner’s Company from an autonomous, self-governing entity to a royal monopoly. The move rankled not only Vintner’s members, but also members of the general public. This play would not be the first to call Abell to task; indeed, the war against Abell and his co-conspirators raged in print even before the infamous Long Parliament took up the issue.

An Influential and Privileged Organization

Though the exact date of the first English guild’s establishment is unknown, a number of livery companies had been established in London by the medieval period. People who practiced the same trade lived in the same area, and they often organized themselves to influence the market for their products and services. These groups had immense power: they influenced not only the economy and politics, but also social institutions and even religion. It’s no wonder, then, that the groups came to be known as guilds, a word that derives from the Anglo-Saxon word for “to pay.”

Vintners_Coat_Arms_1633

The Vintner’s Coat of Arms, circa 1633

The vintner’s guild seems to have been well established by the 1200’s; there was already record of “lawful merchants of London” fixing the price of wine. The Vintner’s Company received its first official charter on July 15, 1363. The charter was actually more like a grant of monopoly on trade with Gascony. A far-reaching document, the charter gave the guild duties of search and the right to buy cloth and herring to trade with the Gascons. Over the next century, wine would become vital to England’s economy. From 1446 to 1448, wine comprised almost a third of England’s entire import trade, and the Vintner’s Company was the eleventh most important of livery companies in London.

In the sixteenth century, the Vintner’s Company lost some of its prestige, along with its duties. Edward VI drastically limited the company’s country-wide right to sell wine in 1553. The company managed to regain some of its previous favor with the early Stuarts. Unfortunately a fateful alliance with Charles I would tarnish the Vintner Company’s reputation.

An Unsavory Arrangement with the King

When Abell took office as Master of the Vintner’s Company, the organization was a self-governing organization whose members oversaw all aspects of the wine business in London. But in June 1638, Willam Abell struck a deal with the king. He used the organization’s seal to sign a four-part indenture that transformed the Vintner’s Company into a royal monopoly. Under the contract, any profit or power derived from the wine trade went into a common “farm” that the company would purchase from Charles’ courtiers each year for the not-so-paltry sum of £57,000. While the arrangement might have been profitable for the company—and certainly for the king—many members saw it as far from ideal. As a royal monopoly, the organization was now much more susceptible to the whims of a monarch—and to transitions of power.

Then thanks to the Bishops’ Wars, Charles was forced to call Parliament to meet in 1640. He needed them to pass finance legislation to fund his war. But the MP’s hardly bent to the monarch’s wishes. They passed an act stating that the session of Parliament could not be dissolved until the members agreed to do so. They would not officially end the session until twenty years later, earning the nickname the Long Parliament. The Parliament moved to strip Charles I of the powers he’d accrued since ascending the throne, effectively ensuring that he would never again be an absolute ruler. They also freed everyone held in the Star Chamber and passed the Triennial Act of 1641, sometimes called the Dissolution Act, which stipulated that no more than three years would elapse between sessions of Parliament.

The Long Parliament also launched an investigation of Abell’s agreement with the king. They swiftly threw Abell and his co-conspirators in jail, but it took them ten months to work through the rest of the affair. In August 1641, Parliament took aggressive action, declaring forty importers delinquent for taking part in the wine contract. These merchants, too, were thrown in prison. Clearly Parliament stood not with the Crown-supported merchants, but with the city shopkeepers.

A War Waged with Pamphlets

Meanwhile on April 21, 1640, members of the Vintner’s Company had formed a committee to consider the wine sellers’ grievances with Abell’s contract. They made less than satisfactory progress, however, as the members could agree on little. Around this time, many vintners started refusing to pay tax on wine. And when Parliament convened, they delivered a petition without approval from company leaders.

All this time, a war was being waged with the printing press. From 1640 to 1642, countless pamphlets were printed by both Abell’s defenders and the Vintner’s Company. The Abell contingent claimed that the deal struck between Abell and the court represented the apotheosis of two years’ discussion among Vintner’s Company members. They said that the decision to become a royal monopoly had the full support of the membership, and had even passed when put to a vote.

Abell’s opponents claimed that Abell had achieved agreement only by threatening members with “many promises and persuasions,” some of which took the form of “divers and fearful threatenings.” By 1642, eminent parliamentary pamphlet printer Henry Parker had taken up the vintners’ cause, rushing to defend the company’s “own Reputation to the World.”

Cromwell Undermines the Company

The Long Parliament would sit from 1640 to 1648, when the membership was purged by the New Model Army. Remaining members were called the Rump Parliament. When Oliver Cromwell effectively took complete control of England in 1653, he sent all the MP’s home. A Puritan, Cromwell believed that extraneous entertainments should be eliminated. Women could no longer wear make-up or colorful dresses. The theaters were shut down. Cromwell even outlawed Christmas.

Act_Limiting_Prices_Wines_CromwellThough Cromwell’s rules were stringent, he did facilitate a number of important improvements, including stimulating the British economy. On September 17, 1656, Cromwell issued an Act for Limiting and Setling (sic) the Prices for Wines limiting the prices of Spanish and French wines. The act was a direct hit to the Vintner’s Company. Such a move from Cromwell should hardly surprise anyone; he actively and loudly supported the execution of Charles I and sought to undo as much damage from the former monarch as he possibly could. Charles II and James II similarly restricted the company’s influence. The Vintner’s Company took another hit with the Great Fire of London in 1666, when Company Hall and other properties were destroyed.

William and Mary restored some of the privileges that had been stripped away by their predecessors, but the Vintner’s Company would never regain its former dominance in the British wine trade. In 1725, the duty of search was finally abandoned, and membership dropped off. Yet the Vintner’s Company has survived to this day, a testament to the evolution of the wine trade.

The Abell-Kilvert controversy is merely one episode in the rich history of grape cultivation and wine making. Today there is little controversy over the statement that California has become one of the premier producers of quality wines. Next Tuesday Tavistock Books will issue a 40+ item FS list, with wine as its focus, and California looming large in this offering. Please watch for it.

Related Posts:
Au Paris: Food, Wine, and Rare Books!
Temperance, Prohibition, and the WCTU
George Cruikshank: “Modern Hogarth,” Teetotaler, and Philanderer

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William Page, Dandified Highwayman

William_Page_Narrative

We’ve long been fascinated with the exploits of criminals, so much so that an entire genre of literature has blossomed out of our curiosity. In the eighteenth century, a staple of true-crime literature was the confession, in which a convicted criminal shared his life story, detailed the sordid details of his crimes, and repented of his sins. These stories were often published as broadsides or pamphlets—and distributed to the audience who gathered to witness the criminal’s execution. Longer accounts sometimes appeared after the fact.

Henry_Fielding

Henry Fielding

One criminal who shared his story has an interesting connection to none other than Henry Fielding. Also a magistrate, Fielding sentenced famous highwayman William Page to death for his crimes. Page was hanged in 1758, but an account of his life survives in A Genuine Narrative of the Life and Surprising Robberies and Adventures of William Page. Page has often been likened to Fielding’s character Tom Jones, though Fielding penned that eponymous novel before ever encountering Page.

Page was born in 1730 to a working class family. His father died early, so his mother sent him to be an apprentice to a relative, who was a haberdasher. Page hardly had a taste for the work, but he did develop a penchant for fashion and frippery. Alas, a haberdasher’s apprentice hardly earned much income. To fund the fashionable lifestyle he desired, Page undertook his first crime: he robbed his own employer. Likely because of the family connection, Page faced no criminal charges.

Next Page managed to secure a position as a footman to a gentleman, no easy feat given that he had no references. The position gave Page another taste of society life. One day while Page was traveling with his master, the carriage was ambushed by highwaymen. No one was injured, but the robbers made off with a small fortune in a matter of minutes. Page resolved to seek his fortune as a “gentleman of the road.”

After acquiring a horse and pistols, Page immediately committed a series of robberies at Highgate Hill and Hampton Court. Then he held up a Canterbury stage coach on the road from London to Kent. Aware that this early success was thanks to luck, Page decided to take some time and plan future robberies. Posing as a law student, he took lodgings at Lincoln Inn. He traveled extensively around London, creating intricate road maps and scoping out ideal spots for future robberies. Page found a number of suitable locations within about twenty miles of London.

Page also decided that he should assume a disguise to reduce suspicion. He would set off from London dressed as a gentleman driving a phaeton and a pair. Page would find an isolated spot near his intended ambush point, shed his fine attire, and put on old clothes and a wig. After perpetrating his heist, Page would then return to the phaeton and change back into his everyday clothes.

William_Page_Highway_Robbery

In one instance, Page’s plot went awry. While Page was holding up a carriage, a couple of haymakers stumbled upon his phaeton. Assuming it was abandoned, they took it to the closest village. Page returned to find his carriage—and his fine clothing—had disappeared. He correctly assumed that the thieves would go to the next town and immediately headed there. Page found his phaeton parked outside the local inn. Thinking quickly, Page stripped down to his underwear and threw his clothes down a well. He burst into the inn and announced that he’d been robbed of his carriage and clothes and thrown into a ditch. The innkeeper helped to detain the haymakers till the authorities. Later, Page simply refused to testify against the men.

Over the course of the next three years, Page would commit approximately 300 robberies. All the while, he enjoyed a life of luxury and privilege. Then his accomplice and childhood friend John Darwell made a fatal error. Darwell held up a carriage on his own, and the majority of the men inside were armed. They easily captured Darwell, who then offered to give up Page in exchange for his own release.

Page was apprehended at the Golden Lion in Grosvenor Square. Despite having been captured with a black wig and a detailed map of London in his possession, Page was acquitted due to lack of evidence, but found himself immediately sent to Maidstone Gaol on other charges. Fielding presided over the case and sentenced Page to death. He was hanged on April 6, 1758.

A Genuine Narrative of the Life and Surprising Robberies and Adventures of William Page was originally sold for one shilling. Today it’s a much more valuable record of the era’s attitudes toward crime, punishment, and justice.

 

Related Posts:
A Brief History of True Crime Literature
Charles Dickens’ Debt to Henry Fielding
Charles Dickens and Capital Punishment

 

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John Barnard Davis, Skull Collector

After John Barnard Davis passed away on May 19, 1881, his obituary appeared in the British Medical Journal.  Davis was lauded as a “venerable practitioner and eminent anthropologist.” But today, what most people remember about Davis is his extensive collection of human skulls.

An Incredible Collection of Crania

By 1867, Davis had amassed a collection of 1,474 skulls from various parts of the world. Truly, Davis’ collecting of skulls was quite obsessive (though we suspect many a collector of antiquarian books can empathize with his mania). Davis used his political connections and wealth to obtain skulls that were highly coveted in Britain. For example, he managed to amass a great number of skulls from Tanzania, which were quite difficult to procure. And though Davis had never been to New Zealand himself, he invested heavily there and used his financial sway to get more specimens.

Davis_Thurnam_Crania_Britannica

A plate from ‘Crania Britannica’

Why such an obsession with crania? Davis firmly believed that one could glean extensive racial information, including the degree of an individual’s racial hybridity, from the measurements of the individual’s skull. Davis wrote extensively on the topic, and his works were soon used as central texts for craniologists and racial scholars. Davis primarily focused on comparing “aboriginal” skulls from Britain with “aboriginal” skulls in other parts of the world.

In 1865, Davis produced his magnum opus with fellow physician John Thurnam. Crania Britannica is an absolutely exhaustive work, including over 60 plates. The work would later receive a rather glowing recommendation in Anthropological Review (Vol 6, No 20, 1868): “Never before, certainly, had representations of skulls been produced that would vie, in beauty and accuracy, with the sixty that form the text on which the authors so lovingly and learnedly discourse.” The reviewer also noted that Davis and Thurnam had a few significant differences of opinion, and that Davis clung too tightly to the accidental variations among skulls.

The Evolution of Craniometry

Yet Davis was hardly an outlier in the scientific community; the nineteenth century saw a veritable explosion of interest in human measurement, and especially in craniometry. In 1812, the Edinburgh Encyclopedia defined craniometry as “the art of measuring the skulls of animals so as to discover their specific differences.” The concept itself was not altogether new; doctors and scientists had long paid attention to variations in physical form. Hippocrates, considered a pioneer in physical anthropology, made multitudinous descriptions of different skulls, though he never actually measured them.

That began in the fifteenth century. Leonardo da Vinci  is probably one of the earliest people of note to apply a theory of skull measurement; he used a number of lines related to specific structures in the head to study the human form  more closely. Albrecht Durer’s 1528 treatise on cranial measurements represented the first published attempt to apply anthropometry to aesthetics. Adrian van der Spigel made the first truly scientific attempt at measuring the cranium, defining four lines: the frontal, sinciptal, facial, and occipital. Spigel also argued that the lines of well-proportioned skulls would all be the same length.

Then in 1699, a Cambridge doctor took measurements of a chimpanzee skull.  His data prompted Edward Tyson to suggest that there was an intermediate animal between humans and monkeys. Tyson called this animal a “pygmy.” Unfortunately for Tyson, his “pygmy” skull later turned out to be…another chimpanzee skull. Nevertheless, the idea of an intermediate animal persisted.  From that time on, the practice of craniometry blossomed. Countless systems of skull analysis emerged, each with its own idiosyncrasies.

Camper_Facial_Angles

As the eighteenth century unfolded, practitioners of craniometry became increasingly interested in correlations between various physical measurements and intelligence. It was quite common to use these measurements to “demonstrate” that people of their own race were intellectually superior to others. Pieter Camper introduced the concept of “facial angle” in his Dissertation sur les varietes naturelles de la physionomie, published posthumously in 1791. He noted that the ideal facial angle was the same as that used by famous Greek sculptors. Though Camper’s survey was limited to a very small number of skulls, his idea fascinated physicians and scientists. They applied it to skulls from people of both European and African descent, attributing the differences in facial angle to natural superiority of Europeans.

Craniometry to Justify Racism

Camper’s chief opponent, Johann Friedrich Blumenbach, rejected the theory of lines and angles. He argued for much closer examination of the skull, particularly the maxillary and frontal bones.  In 1795, Blumenbach also suggested a standardized method of positioning the skull so that measurements could be standardized and reproduced. But it was Paul Broca who would institute an accurate, precise technique for measuring skulls. His goal was to obtain sufficient data to be able to authoritatively determine the race of a skull’s owner by its measurements, thereby creating a set of racial “types” for skulls.

Meanwhile, there was a marked shift from using skulls to determine only racial identity, to using skulls to determine supposedly innate differences between the moral and mental capacities of various races. In addition to skull measurements, scientists also relied on a given race’s technological advancements and ability to master Western tools as further gauges of intellect. This paradigm began to shift a bit in the early nineteenth century; whereas the eighteenth-century view of race was more fixed in terms of racial attributes and divisions; the new century viewed race as more fluid.

This was especially true as theories of evolution emerged. Yet the skull remained a central focus, and researchers continued to seek ways to quantify intellectual capacity. The actual capacity of the skull even became a focus; Samuel Morton first filled skulls with white peppers, and later with lead gunshot, to measure how much it would hold. Friedrich Tiedemann used millet seed.  Camper’s angle came under fire as anatomists like Anders Retzius and George Combe proposed closer examination of the proportions of different parts of the brain and skull.

George Combe’s Theory of Phrenology would prove incredibly influential—and pernicious. Though the practice of phrenology was often mocked, it also heavily influenced any number of policies and institutions during the nineteenth century, from education to criminal reform. Leading thinkers like GWF Hegel and Thomas Edison were attracted to the pseudoscience, as were illustrious authors like George Eliot, Honore de Balzac, and the Bronte sisters. Even Queen Victoria dabbled in phrenology.

By the time Davis and Thurnam published  Crania Britannica in 1865, phrenology had already fallen out of scholarly favor, though it remained in the public’s consciousness as a popular fad. Craniometry remained a strong interest in the medical and scientific community, not least because it reinforced racist ideology. However, toward the end of the 1800’s, even these theories wore thin. Today, craniometry still has some applications, though it’s practiced much differently than it was in Davis’ day. While Davis’ theories have been discarded, his incredible skull collection survives relatively intact, and his Crania Britannica offers an incredible window into the attitudes, knowledge, and methodology of his time.

Related Books and Ephemera

Crania Britannica

Davis_Thurnam_Crania_Britannica

Davis and Thurnam’s work bears the drop title “Delineations and Descriptions of the Skulls of the Aboriginal and Early Inhabitants of the British Islands: with Notices of Their Other Remains.” Volume I contains the text, while Volume II includes plates and descriptions. It’s bound with “Osteological Contributions to the Natural History of the Chimpanzees (Troglodytes) and Orangs (Pithecus). No. IV. Description of the Cranium of an Adult Male Gorilla from the River Danger, West Coast of Africa, … ” by Professor Owen (1851). This work was published for subscribers and contains 67 lithographic plates, while this particular copy includes five additional plates illustrating the Owen article. It bears unobtrusive ex-lib markings. Though the joints are rubbed, this is overall a solid Very Good copy. Details>>

Phrenology Exemplified and Illustrated, with Upwards of Forty Etchings

Johnson_Phrenology_Exemplified_IllustratedDavid Claypoole Johnson was known as “the American Hogarth,” and this work, in Scraps No 7 (1837) offers a satirical look, both textually and graphically, at the “science”of phrenology.” By this time, phrenology had fallen out of favor–though it would eventually reemerge as a sort of parlor entertainment in the 1860’s and 1870’s. This is the second edition, which doesn’t appear in American Imprints. It’s bound in buff paper wrappers. With light extremity wear and minor foxing, it’s withal a Very Good+ copy. Details>>

A Glance at Philosophy, Mental, Moral, and Social

Parley_Glance_PhilosophyAmerican author Samuel Griswold Goodrich was better known by his pseudonym, Peter Parley. His Peter Parley Cabinet Library was quite popular at the time, and this title, published in 1845, was #14 in the series. The first part begins with a discussion of phrenology. It’s uncommon to find this title as presented here, in the original pink printed wrappers with a series advertisement on the rear wrapper. Overall, this is a Very Good set. Details>>

Phrenology Known by Its Fruits Being a Brief Overview of Doctor’s Brigham’s Late Work, Entitled “Observations on the Influence of Religion Upon the Health and Physical Welfare of Mankind”

Reese_Phrenology_Known_FruitsPsychiatrist Amariah Brigham was one of the founding members of the professional organization that was the precursor to the American Psychiatric Association and served as the first director o the Utica Psyciatric Center. Brigham and others in the psychiatric community used phrenology to justify exempting the mentally ill from criminal punishment, and he ardently campaigned to excuse William Freeman from the gallows after he was convicted of murdering John G Van Nest. Prior to that incident, however, David Meredith Reese published Phrenology Known by its Fruits, an exploration of Brigham’s philosophy. Reese, himself a physician, served as physician-in-chief at Bellevue Hospital and published a number of works. Square and tight, this volume was professionally rebacked, with about 90% of the original spine cloth laid-down. It displays the usual bit of foxing but is overall a Very Good to Very Good+ copy. Details>>

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Daily Recap: RBMS 2014 (Tuesday, June 24)

Today kicked off the 2014 Rare Books and Manuscripts conference! The temperature registered a steamy 102 degrees–reminding us all that Vegas is best experienced in the air conditioning. Here’s a few highlights, courtesy of our friends on Twitter! If you couldn’t attend this year, but would like to get in on the action, you can join the online conversation with #rbms14.

Applying Descriptive Cataloguing of Rare Materials (Graphics)

Vic Zoschak, proprietor of Tavistock Books, was proud to serve as moderator for today’s workshop “Applying Descriptive Cataloguing of Rare Materials (Graphics),” sponsored by Bauman Rare Books. Our friend Erin Blake of the Folger Shakespeare Library organized the event, presenting alongside Ellen Cordes of the Lewis Walpole Library and Helena Zinkham from the Prints and Photography Division of the Library of Congress. They offered an enlightening introduction to the Descriptive Cataloging of Rare Materials (Graphics), or DCRM(G), the successor to Elisabeth Betz Parker’s Graphic Materials: Rules for Describing Original Items and Historical Collections.

Designing an Effective Instructional Program

Meanwhile, Robin M. Katz and Julie Golia, Co-Directors of Students and Faculty in the Archives (SAFA) at the Brooklyn Historical Society, presented “Designing an Effective Instructional Program.” They delved into using primary sources to teach document analysis, information literacy, and critical thinking skills.The workshop spurred plenty of thoughtful, engaging conversation both at the workshop and online.

https://twitter.com/ajchoudhury/status/481590648672624641

 

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Unique? A List for June

Unique.

A compelling word, and one that certainly can, and should, stand on its own, though frequently we find unnecessary modifiers employed to make the unique even more so, if such is at all possible…  more unique, highly unique, uniquely unique….  you get the drift.

So with this in mind then, and without modifying hyperbole, we issue this list for June, wherein each of the 60 items displays an aspect of uniqueness… whether by definition, inscription or perhaps being the only copy on the market.  As is our practice, the list is eclectic in nature-  from air to water, original art to original mss, from Nevada to Massachusetts.  Temporally, the items reach back to the 1770s, and continue on until the mid-20th C.  Prices range from $75 to $7500.

Winning Independence: An Illustrated Address Describing the “Parlor Profession”

Bryant_Winning_ProfessionNiles Bryant, the President & Founder of the Niles Bryant School of Piano Tuning, and enjoys some recognition in the music world for his 1906 publication, Tuning, Care and Repair of Reed and Pipe Organs, which was reissued in 1968 by Vestal Press. “Through the profession of piano tuning, I offer you indestructible resources, good fortune and permanent independence.” So Bryant opens this publication, which is a promotional piece for the profession of piano tuning, and even more specifically, the advantages of attending his school to learn the profession, as well as to puff his invention, “The Tune-a-Phone”. This publication is tot located on OCLC, nor found in the NUC. Details>>

Mr. Thackeray, Mr. Yates, and the Garrick Club Affair

Yates_Thackeray_Garrick_Club_AffairThe notorious quarrel between two of England’s most popular authors began with Yates’ critical review, in Town Talk, of Thackeray’s English Humourists of the Eighteenth Century. Thackeray, as might be expected, was a bit affronted at what he viewed as a slanderous insult by this fellow member of the Garrick Club; believing much of Yates’ information came from club meetings, he took his grievance to the club committee. The committee sided with Thackeray and instructed Yates to apologize. Yates refused and was forcibly barred from club premises, subsequently bringing charges against the club Secretary.

Charles Dickens, absent from London as this brouhaha was brewing, returned to find all in full force. He offered to mediate, though primarily siding with Yates, which Thackeray viewed as treachery. The ill feelings between the two did not abate for years, until shortly before Thackeray’s death in 1863. (More about the Garrick Club Affair>>)

Herein Yates recounts the history and evidence of the disagreement, with, not unexpectedly, a bias to his own case. This copy was presented to Edward Bradley, presumed to be the Victorian novelist, who wrote under the pen name Cuthbert M. Bede. Known in Wise facsimiles (cf Todd 425c), the first edition, as here, has been just twice at auction in the last 30+ years, the last being 1977. It’s a rare piece of Dickensiana; this is the first time we’ve ever been able to offer the item. Details>>

Willow Park Water Cure, and Hygienic Institute

On March 1, 1853, John Henry Hero established the Willow Park Water Cure, with himself as proprietor and attending physician, for the treatment of chronic diseases through the “water cure.” Treatments of Swedish movements, light gymnastics, Turkish baths, and inhalations were also employed, to considerable success–though this success did not come without a personal price; as Hero writes in this circular “Friends, it is no small matter, to be thirteen years, day and night, surrounded by sick, nervous, irritable people, demanding our care and sympathies.” Hero seeks a change, and it is to this latter Hero addresses himself in this circular’s holograph letter: “I intend to convert / my Institution into a School / for young Ladies.” Later in the year, Dr. Hero did found the Willow Park Seminary for young women “where the Physical as well as the Intellectual facilities [were] faithfully and equally attended to.” OCLC does not record this particular broadside, though two others are found, each in one copy only. Details>>

Hero_Willow_Park_Water_Cure

BF Keith’s Grand Educational Demonstration

BF_Keith_Grand_Educational_DemonstrationClaude Grahame-White was the Glamour Boy of early aviation, somewhat of a playboy, with no engineering background whatsoever, Grahame-White became enamored of flying when, in 1908, he saw the Wright’s demonstrate their invention to the French crowds at Camp d’Auvours. Within a relatively short time, self-taught, Grahame-White soloed without a formal lesson. He quickly made a name for himself as a dashing aviator. In 1910, JV Martin of the Harvard Aeronautical Society, invited him to compete in the first Boston-Harvard Meet. With the promise of a $50,000 retainer & expenses, Grahame-White accepted. Grahame-White won that one, and others, as he thrilled spectators with his races & aerial exhibitions such as that announced in this “One-man Show” program.

This rare survivor lists the diverse aerial stunts to be performed by Grahame-White during the day… “With the Bleriot Monoplane” includes a dive from 4000 feet “with engine stopped.” “With the Farman Biplane,” the twelve planned events include “Aerial switchback flying”; “The corkscrew glide [spin?] from a high altitude”; and  “Knocking down ninepins placed on the ground, without alighting.” With this sort of exhibition, and his dashing and flamboyant personality, the handsome Grahame-White gave the new aviation field, previously dominated by engineers, something that had been lacking to date: a ‘sexy’ nature. Details>>

Salesman’s Album with Sixty Photographic Images of Indian Motorcycles

This a presumed company-issued production, no doubt targeted for those who already owned an Indian Motorcycle franchise, or generated for traveling company reps, allowing prospective buyers, such as police departments, to view the entire product line. We find no bibliographical record of another such album being offered, and believe the album to have been produced in limited numbers. 

Salesmans_Album_Indian_Motorcycles

 In 1940, Indian sold nearly as many motorcycles as its major rival, Harley-Davidson. At the time, Indian represented the only true American-made heavyweight cruiser alternative to Harley-Davidson. Indian’s most popular models were the Scout, made from 1920 to 1946, and the Chief, made from 1922 to 1953. Unfortunately, the company went bankrupt in 1953. Today, the vintage cycle enjoys much popularity amongst enthusiasts, with models from the era displayed herein being offered for five-figure sums. A fascinating and well-preserved original photograph album, which visually documents the late ’30s and early ’40s Indian Motorcycle company, and its impressive product line, as existed during the company’s heyday. Details>>

Correspondence, Including LaGuardia’s Wedding Invitation

Correspondence_Fiorello_LaGuardiaFiorello LaGuardia, or “Little Flower,” is widely regarded as one of the best mayors in New York City history, whose tenure redefined the office. He was the 99th mayor of the “Big Apple”, serving his populace from 1934 to 1945. For those twelve years, the 5’2″, sometimes belligerent, chief executive dominated life in New York City as if he was 7″2′. Unlike many politicians today, he fulfilled many of his pledges, especially the ferreting out of corruption in the city’s government. Such earned him a reputation for placing the city’s interests ahead of political considerations, and in the same vein, although technically a Republican, he worked closely with the New Deal administration of President Franklin Roosevelt to secure funding for large public works projects. These federal subsidies enabled New York City to create a transportation network the envy of the world, and to build parks, low-income housing, bridges, schools, & hospitals. Furthermore, he achieved the unification of the city’s rapid transit system, a goal that had long eluded his predecessors, and he reformed the structure of city government by pushing for a new City Charter. LaGuardia presided over construction of New York City’s first municipal airport on Flushing Bay, later to become his namesake. As a result of all his efforts, LaGuardia’s psychological effect on New York City was nothing short of profound, restoring faith in city government by demanding excellence from civil servants. Details>>

The Life of The Right Honourable Arimanes, Typhon, Thammuz, Beelzebub, Ashmodaus, Sammael, Daemon, Lucifer the Great, of the Dark Infernal Empire Count of Sheol and Gehenna, Baron of Hades &c., &c., &c

Life-Right_Honourable_Beezlebub_LuciferThis eighteenth-century codex is an entirely holograph history of Lucifer, wherein the anonymous author tells us in his Preface, “Lucifer … is a spiritual being. That is true; but far from being considered here in that light, he is represented plainly terrestrial. He is not the Lucifer as Vondel, Milton and Klopstock described him, but exactly as he is shown in magick lanthorns for the amusement of the spectators. … My Lucifer is of Ethereal breed and Ether is and remains material. …. mine is of a persian and chaldean race.”

Though the volume bears no date, it bears the Pro Patria “Maid of Dort” watermark, circa 1760’s. Affixed under the holograph title is an extracted woodcut image [ca 1550, cf. Sebastian MŸnster’s “Cosmographia” (1544)] of the ‘God Deumo (Demus or Deumus) of Calicut.’ The volume has a full vellum binding and yapp edges. Details>>

 

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Why California Isn’t Called “Nova Albion”

On June 17, 1579, Francis Drake claimed California for England. He anchored his ship, the Golden Hind, just north of present-day San Francisco and named the new territory “Nova Albion.” But despite Drake’s claim in the name of Queen Elizabeth I, he was not the first European to explore California.

Drake Lays Claim to California

Drake set out from England on December 13, 1577 with five ships. His mission was to raid Spanish holdings along the Pacific coast in the New World. Drake was forced to abandon two ships during the Atlantic crossing. Then the expedition encountered a series of storms in the Strait of Magellan. One ship was destroyed, and the other returned to England. Only the Golden Hind reached the Pacific. Drake raided Spanish settlements and captured a heavy-laden Spanish treasure ship.

Drake continued up the West Coast of North America in search of the fabled Northwest passage. He got as far north as present-day Washington, stopping near the San Francisco Bay in June 1579. In July, Drake’s expedition set off across the Pacific, eventually rounding the Cape of Good Hope and returning to England. Drake returned to Plymouth, England on September 26, 1580. Queen Elizabeth I knighted him the following year on a visit to his ship.

A Portuguese Explorer for the Spanish Crown

California gets its name from a mythical island populated by Amazon women who use golden tools and weapons. It appeared in a popular romance novel called Las Sergas de Esplandian by Garci Rodriguez de Montalvo. The book went through several editions, though the earliest extant copy dates from 1510. When Spanish settlers explored what’s now Baja California, they believed that they’d discovered the mythical island.

It was Portuguese adventurer Joao Rodruigues Cabrilho, better known as Jose Rodriguez Cabrillo, who disabused the Spaniards of the notion that California was an island. Little is known of Cabrillo’s life before 1519, when his name first appears in the ranks of those serving conquistador Hernan Cortes. Cabrillo participated in the conquests of both Mexico and Guatemala. He was also involved in military expeditions to southern Mexico, Guatemala, and San Salvador.

Cabrillo eventually settled in Guatemala and by 1530 had established himself as a leader of Santiago, Guatemala. He returned to Spain briefly to find a wife, marrying Beatriz Sanchez de Ortega. The couple would have two sons. Then in 1540, a major earthquake destroyed Santiago. Cabrillo’s report to Spain on the devastation is considered the first piece of secular journalism published in the New World.

Soon Spain was looking to expand northward. Francisco de Ulloa had recently explored the Gulf of California and proven that California was not an island after all (though the misconception persisted back in Spain). Now, Guatemala governor Pedro de Alvarado commissioned Cabrillo to lead a mission up the coast. He believed that Cabrillo and his men would find the fabled wealthy cities of Cibola, which were thought to be somewhere along the Pacific coast north of New Spain. The explorers also held out hope of discovering the “Straits of Arain,” rumored to connect the North Pacific and the North Atlantic.

Cabrillo Travels up the California Coast

On June 24, 1542, Cabrillo sailed out of the port of Navidad (modern-day Manzanillo). He took with him a crew of soldiers and sailors, along with merchants, a priest, slaves, livestock, and enough provisions to last two years. By September 28, 1542, Cabrillo had reached a “very good enclosed port,” now known as San Diego Bay. He and his crew stayed there for several days before heading up the coast. They visited a number of islands before turning around due to adverse weather conditions.

Taylor_First_Voyage_California_CabrilloCabrillo died of complications from a broken leg on January 3, 1543. His exploration helped to dispel geographical misconceptions and to expand the Spanish empire. Over three centuries later, Alex S Taylor, a resident of Monterey, California, wrote the history of Cabrillo’s expedition. First published separately in 1853, The First Voyage to the Coasts of California is considered an important work, indeed; it was the first work of California history actually published within California.

Other Works of Californiana

The Pony Express Courier 
Pony_Express_CourierIn 1860, countless men responded to advertisements for riders in the new Pony Express. At any one time, only about eighty men would actually be riders, though another 400 employees supported the operation. The Pony Express was a truly ambitious project, connecting the East coast with California. Mark Twain was lucky enough to witness the Pony Express in action, observing that the rider was “usually a little bit of a man.” The Pony Express Courier, published in Placerville, first appeared in 1934. It’s a wonderful resource for students of Western America, full of interviews, reminiscences, and more. This set includes 16 of 18 total issues, bound in eight books. They are custom bound in blue “marbled” cloth with gilt stamped lettering to the spine and front board. Details>>

Wi-Ne-Ma (The Woman Chief) and Her People
Meacham_Wi_Ne_Ma_PeopleAlso known as the Lava Beds War, the Modoc War began in 1872, making it the last of the Indian Wars to occur in California and Oregon. Wi-Ne-Man acted as interpreted for the peace commission during the conflict. Her efforts saved the life of Alfred Benjamin Meachum, Indian Superintendent of Oregon, Meachum would go on to write an account of the chieftainess called Wi-Ne-Man (The Woman Chief) and Her People. The first edition was published in 1876. APBC shows this title at auction last in 1997, with only one prior occurrence in 1991. Details>>

Documents in Relation to Charges Preferred by Stephen J Field and Others…
Field_Turner_Documents_Charges_PreferredThe Field-Turner feud is renowned in the annals of California history. Judge William R Turner had Field, an attorney, disbarred; Field ultimately got his revenge by, on election to the California Assembly, arranging Turner’s banishment, via judicial reorganization, to a remote “region in the northern part of the state.” [DAB]. This second edition includes testimonial and affidavits in Judge Turner’s defense from a host of local officials as well as a few national notables, including Andrew Jackson & Henry Clay. Furthermore, this copy contains rare associated ephemera: a handbill reprinting a contemporaneous review of the book entitled, “Judge Turner’s Book,” as published in the San Francisco Herald of Dec. 30, 1856; as well as a legal circular containing a statement by Judge Turner relating to his candidacy for re-election to the office of District Judge for the 8th District, dated Arcata, July 14, 1863. Additionally, contained within the circular are reprinted two letters with respect to Turner’s case before the Supreme Court, the latter advising Judge Turner “of the favorable and final decision of the Supreme Court in your case.” Details>>

All About California and the Inducements to Settle There
All_About_CaliforniaAttributed to JS Hittel, All About California includes the drop title “For Gratuitous Circulation.” The propaganda piece was designed to encourage settlement in California, and it’s full of pertinent data and factoids of the era. This, the second edition, was issued in 1870 just like the first. It includes a folding map of the railroad route for the “Chicago, Rock Island, and Pacific RR Line,” along with a two-page map of California, a full-page wood engraving of the Grand Hotel, and a two-page map of “JT Little’s San Joaquin Valley.” This copy bears the stamp of the California Immigrant Union in the upper right corner of the front wrapper. There’s a small bit of bio-predation on the top pages of the last eight pages, but no text is affected. Details>>

An Historical Sketch of Los Angeles County, California
Historical_Sketch_Los_Angeles_CountyThis account of California history stretches from the Spanish Occupancy, by the founding of the Mission San Gabriel Archangel, September 8, 1771, to July 4, 1876. This copy is a first edition, second issue, published in 1876. The volume is in its original printed paper wrappers. The wrapper edges chipped, with the upper corner lacking from front wrapper. A Japanese paper repair has been made to the spine. There’s occasional pencil marginalia. Overall, this is an about very good copy. Details>>

 

Related Posts:
The California Gold Rush, Slavery, and the Civil War
L Frank Baum’s Forgotten Foray into Theatre
Elias Samuel Cooper: Renowned and Controversial Surgeon

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William Lambarde, Queen Elizabeth, and the Essex Rebellion

“I am Richard II. Know ye not that?”

So spoke Queen Elizabeth I to William Lambarde in August 1601–or so the story goes. The queen’s allusion to Shakespeare’s Richard II has long served as an illustration of the intense connection between arts and politics in Elizabethan England.

A Trusted Record Keeper

Lambarde_Perambulation_KentBorn in London, William Lambarde was a noted antiquarian, barrister, and politician who likely served in Parliament. Lord Chancellor Sir Thomas Egerton appointed Lambarde Keeper of the Rolls in 1597, and Queen Elizabeth appointed him Keeper of the Records of the Tower in 1601. By this time, Lambarde was already quite well known for his Perambulation of Kent. This volume, known as the first county history, was circulated in manuscript before it was printed in 1576. It was popular enough to go through several editions. Indeed, the last edition was published in 1656, some eighty years after its first appearance.

So how did the author of such a charming and innocuous work come to be at the center of political intrigue? Lambarde’s role as the Keeper of the Records of the Tower gave him unique access to records that spanned Elizabeth’s entire reign–and before. Early in August 1601, Lambarde presented Elizabeth with a book of “pandects,” the broad name for a compendium on virtually any subject. This book of pandects was a special compilation of records that Lambarde had prepared especially for Elizabeth.

Questions of Provenance and Authenticity

The ensuing dialogue between Lambarde and Queen Elizabeth I was recounted in a document titled “That which passed from the Excellent Majestie of Queen ELIZABETH, in her Privie Chamber at East Greenwich, 4 August, 1601, 43 reg. sui, towards William LAMBARDE.” Elizabeth supposedly told Lambarde, “I am Richard II. Know ye not that?” as she perused–and praised–Lambarde’s gift. The comment shows that Elizabeth knew that she, like Richard II, sat in a precarious position, in danger of losing her power at any moment.

At least, that was the conventional interpretation. But in recent years, scholars have questioned both the veracity of the document and the real implications of the statement. The document itself is first extant in 1780, where it’s included as an appendix to John Nichol’s biographical sketch of Lambarde in Bibliotheca Topographica Britannica. It was reprinted in 1788 in Progresses and Public Processions of Queen Elizabeth. Nichols added a note in a later edition that it was “communicated from the original, by Thomas Lambarde of Sevenoak, Esq.”

But the original author of the statement has been difficult to determine. The account drops to first person at the end, indicating that Lambarde may have written the account himself. He remained a competent and enthusiastic writer to the end of his life, and the manuscript could plausibly have passed down through multiple generations. Meanwhile, Queen Elizabeth was indeed on Greenwich on the date in question. Lambarde’s post as record keeper and independent interest in antiquities lend further support to the document’s authenticity. Thus it seems likely that the conversation happened as reported, even if we cannot readily identify the reporter.

Uncertain Succession

Elizabeth’s comment was certainly a pregnant one. She knew that her hold on the throne was loosening against her will. For years, there had been whispers about who would succeed her since she had no direct descendents. Many favored the succession of James VI of Scotland. Alternatives were Isabella of Spain, the sister of Spanish king Phillip III; and Arabella Stuart, the granddaughter of Margaret Tudor.

The majority of Elizabeth’s subjects were religiously moderate and would accept a monarch of either Catholic or Protestant persuasion, so long as tolerance was extended to observers of the other denomination. Elizabeth herself refused to discuss the matter and was careful not to show favor to any single heir. The entire situation invited intrigue upon intrigue, as various factions sought to assure the succession of their preferred candidates.

Essex Proves a Royal Disappointment

Robert_Devereux,_2nd_Earl_of_Essex_by_Marcus_Gheeraerts_the_Younger

Robert Devereux, 2nd Earl of Essex

One such schemer was Robert Devereux, Earl of Essex. Elizabeth thoroughly enjoyed Essex at court but never deigned to admit him to her confidence; she knew that Essex was not to be trusted. In 1598, the English sent a large force to Ireland to oppose Hugh O’Neill, Earl of Tyrone. Essex was put in charge of the effort and granted sweeping administrative power in Ireland.

However, Essex failed miserably, refusing to engage O’Neill and his men even under direct orders from the queen. When pushed harder, Essex struck an accord with O’Neill. Although the exact details of their agreement are unknown, scholars generally agree that they probably pledged their mutual support of James VI of Scotland.

The queen, none too pleased with this arrangement, reproached Essex–who responded by deserting his post, sailing for England, riding to Greenwich, and bursting in on the queen to beg her mercy. Queen Elizabeth was unconvinced. She banished Essex from her presence, and he was arrested later that day. Essex served a year of house arrest and emerged to discover that support for his cause had evaporated. All the while, his rival Robert Cecil had continued his own efforts to ingratiate himself to the queen.

A Failed Rebellion

Essex was sure that he’d still be able to garner support. His first move was to sponsor a performance of Shakespeare’s Richard II. He believed that the parallels would be quite clear: like Richard II, Queen Elizabeth had availed herself of malevolent advisors (ie, Cecil) and would invariably and imminently lose the throne. Such a move might seem ridiculously subtle by today’s standards, but the comparison would not have been lost on Essex’s contemporaries.

Essex then gathered about 300 followers and tried to persuade his replacement in Ireland, Lord Mountjoy, to bring his troops back to support Essex. Cecil already knew what Essex was planning, and Queen Elizabeth sent four advisors to Essex’s home. Essex locked them in his library and took to the streets, presuming that he’d be able to raise a supportive mob. He also hoped that the Sheriff of London, Sir Thomas Smyth, would support his cause.

Yet Smythe blew him off, and the mob failed to materialize. The Earl of Nottingham led a force of men to Essex house and forced Essex to surrender. He was tried and found guilty of treason alongside the Earl of Southampton (a patron of Shakespeare and the dedicatee of Venus and Adonis and The Rape of Lucrece). While Southampton was thrown into the Tower of London, Essex was sentenced to death. He hoped that Queen Elizabeth would intercede. She did not, and Essex was executed on February 25, 1601.

Seditious Shakespeare

The performance of Richard II was considered so treacherous that the Chamberlain’s Men also came under suspicion of sedition. On February 8, 1601, spokesman Augustine Philips testified, eager to distance the players from the performance. He emphasized that none of the players had wanted to perform such an outdated play, but that Essex had paid them 40 shillings above the usual fee. The players were exonerated and even performed for Elizabeth at Whitehall on the eve of Essex’s execution.

Some experts argue that the speed with which the investigate against the players was dropped shows how politically insignificant Shakespeare’s play really was. Others believe the play a sort of anthem for the Essex camp; it addresses issues of chivalry, pragmatism, and the divine right of monarchs. And it’s also possible that Essex didn’t intend treason at all, but that he was merely desperate to alert the queen of Cecil’s intentions. At any rate, the fact that Shakespeare’s imagined rebellion was implicated in a real one exemplifies the interplay between arts and literature in Elizabethan England.

Though William Lambarde was a trusted advisor to Queen Elizabeth I, his influence would not extend to the end of her reign. Lambarde passed away only a few months after his apocryphal exchange with Elizabeth. The episode elucidates Lambarde’s unique place in Elizabethan history, as much more than an author of a quaint county history.

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