Tag Archives: dr. seuss

“You’re wrong as the deuce, and you shouldn’t rejoice. If you’re calling him Seuss – he pronounces it Soice.” (But then changed it to Seuss, so…)

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By Margueritte Peterson

If someone says “Children’s Books” to you, what is the first thing that comes to your mind? Picture books? Perhaps here is the better question… what author first comes to mind? I would venture to bet that at least 90% of you come up with the same name. However, did you know that the name you come up with is not his true name? (Probably most of you do, since you are members of the book world or bibliophiles and would know something like that… but humor me!) 

Screen Shot 2016-03-02 at 8.59.38 AMTheodor Seuss Geisel was born on March 2nd, 1904 to a German family in Springfield, Massachusetts. His father ran a family-owned brewery in Massachusetts (well, until the Prohibition did away with that). Geisel went to school in Massachusetts until he went to Dartmouth College in New Hampshire, graduating in 1925. During his time at Dartmouth, Geisel first showed skill and interest in humorous literature as rose to the role of editor-in-chief of the literary magazine the Dartmouth Jack-O-Lantern before graduating. Unfortunately, one college incident threatened to end his early literary career – when Geisel was caught drinking gin (the Prohibition was in effect) in his dorm room with some of his friends. In punishment for this crime, Geisel was forced to resign from his position at the magazine. In order to continue publishing his work at the Jack-O-Lantern, Geisel began writing under the pen name “Seuss”, his middle name. The beginning of Dr. Seuss was underway. 

Once graduating from Dartmouth, Geisel began his PhD studies at Lincoln College, Oxford, to earn a degree in English Literature. Though he left Oxford without a degree in early 1927, Geisel was still able to begin his living publishing humorous cartoons. He accepted a job at the humor magazine Judge and 6 months after he began working at the magazine he first published work under his pen-name “Dr. Seuss.” Geisel’s cartoons gained popularity throughout the end of the 1920s and the entirety of the 1930s, largely due to his help with advertisements of popular brands like General Electric and Standard Oil – adverts that helped him and his wife maintain financial stability through the Great Depression. Due to help from a friend (despite his popularity), Geisel was able to begin publishing humorous poems with the Vanguard Press. In 1940, he published a poem under the title “Horton Hatches an Egg” – a poem that has, to this day, sparked further books, movies, animated films and even musical productions. 

Our signed copy of Bartholomew and the Oobleck can be found here!

Our inscribed copy of Bartholomew and the Oobleck can be found here!

Throughout the 1940s and WWII, Geisel created hundreds of political cartoons criticizing Hitler and Mussolini and strongly supported the US war effort. Shortly after the war, Geisel and his wife Helen moved from New York to La Jolla, California and he returned to writing children’s books. Between 1950 and 1960 Geisel published many of the works he is most well-known for today, such as Bartholomew and the Ooblek (1949), If I Ran the Zoo (1950), Horton Hears a Who! (1955 – a more in-depth work on his original poem), If I Ran the Circus (1956), The Cat in the Hat (1957), How the Grinch Stole Christmas (1957) and Green Eggs and Ham (1960). In 1954, William Ellsworth Spaulding challenged Geisel to write a book with 250 words chosen by the education division of Houghton Mifflin of words that all 1st graders ought to know. The result contained 236 of the 250 words and was Geisel’s famed The Cat in the Hat

Though Geisel (surprisingly) never won a Newbery or Caldecott award, he was awarded an honorary doctorate from Dartmouth (1956), a Laura Ingalls Wilder Medal in 1980, and the Pulitzer Prize in 1984 (for his “substantial and lasting contributions to children’s literature”). Geisel also never had children of his own (perhaps he was too busy teaching and entertaining everyone else’s children!), but will forever be remembered as one of the fathers of Children’s Literature! 


A Look Back at Book Censorship

On March 25, 1955, US Customs Department officials seized 520 copies of Allen Ginsberg’s Howl. Printed in England, the book had been deemed obscene by the US government. Poet Lawrence Ferlinghetti, who owned the publishing house and book store City Lights in San Francisco, decided to publish Howl in the autumn of 1956. He was almost immediately arrested on charges of obscenity. The ACLU bailed him out and took the lead in his defense. Nine literary experts testified at Ferlinghetti’s trial, and he was found not guilty. Unfortunately, this episode is only one of many in the history of book censorship.

Areopagitica (1644)

Milton_AeropagiticaBy 1644, John Milton had already successfully teamed up with Presbyterians to abolish the Star Chamber. That year, the activist poet turned his attention to the Licensing Act of 1643, which prohibited publication without the permission from the government. In Areopagitica, Milton makes an incredibly eloquent and impassioned plea for an end to government censorship. But he didn’t receive support from Presbyterians, so essentially stood alone in his campaign. The work was banned, and England would not attain freedom of the press until 1695.

 Fanny Hill (1748)

Fanny_Hill_1910_coverConsidered the first pornographic novel published in English, Fanny Hill is every bit as lurid as one would expect from the fictional memoir of a Georgian prostitute. Even more scandalous: the eponymous protagonist enjoys the work of earning “profit by pleasing.” Author John Cleland and the book’s original publisher were immediately thrown into jail after the book was published. And in America, Fanny Hill was the subject of the country’s very first obscenity trial: in 1821, two men were charged with printing an illustrated version. That edition and subsequent contraband editions became hot collector’s items; even Benjamin Franklin was said to have a copy. The book found its way back to the US Supreme Court in 1963 after Massachusetts banned the book. The Supreme Court found the book lewd–and ruled that it was protected by the First Amendment.

Candide (1759)

Candide_BannedThanks to the book’s catchphrase “Let us eat the Jesuit, let us eat him up” and myriad other irreverences, Voltaire’s Candide was banned by the Great Council of Geneva and the Parisian government just after the book’s release. But 30,000 copies still sold within a year.–much to the delight of Voltaire. The Comstock Law of 1873, later renamed the Federal Anti-Obscenity Act, forbade the sending of obscene materials by US mail. Under this law, the US Customs Department seized Harvard-bound copies of the book in 1930. In 1944, the US Post Office demanded that Candide be dropped from Concord Books’ catalogue. Chaucer’s Canterbury Tales, Boccaccio’s Decameron (1350-1353) and a host of other literary works would fall prey to the Comstock Law.

The Rights of Man (1791)

Paine_Rights_ManThomas Paine had already made a name for himself as a dissident with Common Sense (1776) and The American Crisis (1776). In The Rights of Man, Paine vociferously objects to the divine right of kings the inherent right of any family or social class to govern. He also argues that governments should be guided by the will of the people, pointing to France and America as prime examples. The English crown found Paine’s latest work downright treasonous and issued a warrant for his arrest. Paine fled to France, but was found guilty of libel and treason in absentia. He was sentenced to death should he ever enter England again. All copies of The Rights of Man were regularly seized and burned for many years after.

Alice’s Adventures in Wonderland (1865)

Alices_Adventures_in_Wonderland_CarrollWhat could possibly be offensive about Lewis Carroll’s classic Alice’s Adventures in Wonderland? In 1931, General Ho Chein, governer of the Hunan province of China, decided that the book should be banned because its characters included anthropomorphic animals. The general argued that it was “disastrous to put animals and human beings on the same level.” Surprisingly enough, similar arguments have been used in the United States to justify banning Charlotte’s Web (EB White, 1952) and Winnie-the-Pooh (Milne, 1926).

Grapes of Wrath (1939)

Grapes_Wrath-BurnedOften considered John Steinbeck’s greatest work, The Grapes of Wrath was published to heated outcry. Steinbeck was accused of exaggerating the plight of the poor and unfairly vilifying the wealthy. This reaction was, to some extent, Steinbeck’s intention: he wrote that he wanted to “put a tag of shame on the greedy bastards who are responsible for the Great Depression.” Those who denounced Steinbeck most enthusiastically were the Associated Farmers of California, who called the novel a “pack of lies” and “communist propaganda.” The novel was temporarily banned in parts of the United States–and even burned publicly in some places. The censorship of Grapes of Wrath was pivotal in the creation of the Library Bill of Rights.

Animal Farm (1945)

George_OrwellAfter George Orwell finished Animal Farm in 1943, it took him two years to find a publisher. The book openly criticized political leadership in the USSR, an important British ally during World War II. After the book was published, it was banned in the USSR and other Communist countries. In 1991, Kenya banned a theatrical adaptation of Animal Farm because it criticizes corrupt leadership. The book was also banned in the United Arab Emirates for containing scenarios and ideas (namely, a talking pig) that conflict with Islamic values. Animal Farm is still banned in Cuba and North Korea, and censored in China.

Green Eggs and Ham (1960)

Geisel_SeussTheodore Seuss Geisel, better known as Dr. Seuss, admitted that he was “subversive as hell” and had no desire to write children’s books that simply modeled good behavior. His books show kids how to question their surroundings and explore new things. Green Eggs and Ham is one of Seuss’ best known works…and it was banned in Maoist China in 1965. According to the Chinese government, the book was a portrayal of Marxism. The ban was not lifted until after Geisel passed away. Meanwhile Yertle the Tertle (1958) was removed from schools in British Columbia in April 2012 because of a single line that carries a political message. And The Lorax (1972) earned a ban from a California community for its negative depiction of loggers.

Many of these banned books have become beloved classics for the very reason they were originally banned–they push us to consider uncomfortable ideas that challenge the status quo. Their place in the literary canon has bolstered their desirability among rare book collectors, especially in cases where early editions were frequently confiscated and destroyed.

Related Reading:
AA Milne: Legendary Children’s Author and Ambivalent Pacifist
Fra Paolo Sarpi, Scholar, Priest, and Heretic

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